30th Jul2009

Found Freebies 7/30

by Adam Haynes

Free Music

thisprovidence.promo

This Providence – Letdown (acoustic)
01 Letdown (acoustic)
http://www.mtv.com

myfavhighway

My Favorite Highway – In My Heart (B – Side)
01 In My Heart (B-Side)

http://supjustin.com/

manchester_orchestra

Manchester Orchestra – I’ve Got Friends
01 I’ve Got Friends
http://www.themanchesterorchestra.com/

BROADWAY CALLS

Broadway Calls – The Call Out
01 The Call Out
http://www.nme.com/

l_08e1883d7300452d91003ef075fd5b91

Owl City – Fireflies
01 Fireflies
http://www.amazon.com/

big_if

Big If – 4 Demos
01 Always Almost (Demo)
02 Hang You Up (Demo)
03 Red Carpets (Demo)
04 You Went Gold (Demo)
http://bsidesrus.blogspot.com/

l_751082e8151b46b9bff7f522b6384766

Panic! at the Disco – New Perspective
01 New Perspective (.wav)
http://www.fmqbproductions.net/epks/2009/patd/ (DOWN)
http://clandandesigns.com/ (DOWN)
http://www.myspace.com/panicatthedisco (Stream Only)

Frank Turner

Frank Turner – Live @ Pike’s Garage (7-10-09)
01 Nashville Tennessee
02 Dan’s Song
03 Long Live The Queen
04 Photosynthesis
05 Thunder Road
06 Ballad Of Me And My Friends
http://bsidesrus.blogspot.com/

This Time Next Year

This Time Next Year – 2 New Songs
01 New Sensation
02 Alex in Wonderland
http://www.thistimenextyearca.com/downloadcard/

Winston Audio

Winston Audio – Acoustic Session
01 Smoke Signal
02 Troubles
03 On My Trail
04 Keeping it Down
http://www.bandinbostonpodcast.com/

hotel_spangler2

Hotel Spangler (Matt Shelton [The Wedding, ex-Letter Kills]) – Dead and Done
01 All The Good Die Young
02 Blood On My Hands
03 Give It To Me Straight
04 In All Of This
05 Life Gets Hard
06 Next to Her Name
07 Oh Brother
08 Old Mans Eulogy
09 Out of Reach
10 Set Sails
11 The Stranger
https://www.noisetrade.com/ (pay what you want / share 5 times for free)

Paper and Plastic

Paper and Plastic Sampler Volume 2
01 Black List Royals – Rock and Roll
02 Cheap Girls – Stop Now
03 Cheap Girls – Hey Hey, I’m Worn Out
04 Coffee Project – You Always Wanted a Song, Right?
05 Coffee Project – Oh, Sweet Pickle
06 Andrew Dost – I’ve Got a Feeling
07 Failures Union – Fall Man
08 Farewell Continental – Do You Wanna Tangle?
09 Farewell Continental – Western Boys and Girls
10 Foundation – Back Then
11 Foundation – Mona Lisa
12 Gatorface – Flak Jacket
13 Landmines – Piggybank
14 Landmines – Evil Eye
15 Protogonist – 1095 Days
16 Rehasher – Turn Around
17 Shook Ones – Who Told Omar
18 Spanish Gamble – Science Can’t Explain Magic
19 The Riot Before – Capillaries
20 The AKAs – All Sinners Welcome in the House of The A.K.A.’s
21 This Is My Suitcase – Fish and Dishes
22 We Are The Union – Five Out of Five Kids Who Kill Love Slayer
23 ASSASSINATE THE SCIENTIST – Blood Room Temp
http://www.audiblediversiongroup.com/

Free Design Resources

blackout-13

Blackout (Font)
http://www.theleagueofmoveabletype.com/

3733913972_91028b35a9_b

High Resolution Metal Textures
http://www.bittbox.com/

gearspreview

Gears (Vector Stock)
http://vector.tutsplus.com/


26th Jul2009

Jonsi & Alex – Riceboy Sleeps

by nickwan

Riceboy Sleeps, a visual and aural experience from Jonsi (of Sigur Ros fame) and Alex (of Jonsi’s boyfriend fame). This review is completely about the release “Riceboy Sleeps” and nothing about the visual art whatsoever. But if the art is anything like the music, then fans will be in for a very special treat.

The album is nothing shy of what you would expect from Jonsi of Sigur Ros. It’s every instrumental piece you’ve heard on Sigur Ros’ albums except slightly twisted. Some might consider this musical venture as a little more “out there” or even more “experimental” but to the casual listener of Sigur Ros, this is just another ambient album for people who like ambient music.

There is no real way to give a song-by-song analysis of this album. Every song bleeds into each other. There are definitely different emotions emoted through each song, and you will feel those if you really listen to this album, but there is no “track one shows a strong opening for this album” or “track four is where it loses steam”. You either can listen to this entire CD or you can’t. And with nine songs averaging between 5 and 10 minutes per song, there’s a lot to listen to.

I wish this was packaged with something to look at; preferably a DVD, but more realistically a slide show or something. This music really isn’t lacking anything on the music side of things, but is definitely missing that piece to it that allows someone to get lost in something. That last sentence might be a little confusing. What I mean is that you might want to get creative with this CD. A nice bike ride would complete this album. Maybe a walk? Laying on the beach with the tide as a backtrack to the entire album? Or even simply just getting on your favorite sneak-photo website (flickr probably would work) and look up some fan photos of the art from Jonsi and Alex. Something more than this album can offer will complete this album. Even as I listen to it and write this review the music is amplifying my want to really make this review better.

This album is most for people who want to delve into more Sigur Ros or more instrumental music. It’s almost symphonic. It’s definitely wordless, so don’t think you’ll find some sing-a-longs on this one. There are a few bands and artists out there right now who are doing the mixed media collaboration of music and art in harmony. Aside from Jonsi & Alex, NYC duo The Books also has a similar taste in visual entwined ambient music, playing with a very prominent visual stage performance to accompany their music. On the other side of the spectrum, mixed media artist Chris Jehly (http://chrisjehly.blogspot.com/) is always stating that music is what drives his artistic passion. Also, to plug Jehly, don’t be fooled by his “mixed-media” tag… everything he does is by hand. No digital enhancements at all. None. Which makes the idea of him doing one of his murals live to the backtrack of a live band even more exciting to see. Much like how Riceboy Sleeps would be even more exciting to see live with a projector of who knows what showing the inspirations of each song.

Tagged for relay

23rd Jul2009

Found Freebies 7/23

by Adam Haynes

Music

1247409961_shore-320x318Free Album

Shorelines – The Scars, The Scrapes, The Stories
http://www.weareshorelines.com/

1308893850-1Free Album

John Nolan – The Collaboration Experiment
http://johnnolanmusic.bandcamp.com/

Album-15218-8402230-rockinromancecomplogoFree Song

Daphne Loves Derby – At Last (cover from Rockin Romance Compilation)
http://www.absolutepunk.net/showthread.php?t=1205762

Design

autofocus-splash-101Autofocus 1.0.1
Awesome Experimental WordPress Theme
http://allancole.com/wordpress/378/autofocus-1-0-1-now-available/

Open Book Textures
SA_ID_book _texture640Free High Resolution Book Textures
http://lostandtaken.com/blog/2009/7/14/free-high-res-open-book-texture.html


16th Jul2009

Found Freebies

by Adam Haynes

JRM_157780_B7_052_FL_site

Every week I’m going to bring you my best finds in the world of free music.  This week Manchester Orchestra and Brand New make the list.

_______________________________________________________________________________

transmissions

Manchester Orchestra‘s excellent performance on Myspace.com’s Transmissions series.
http://www.myspace.com/transmissions

Tracklist:
1. I’ve Got Friends
2. Everything to Nothing
3. The River
4. Shake it Out
5. Turn Out The Lights

_______________________________________________________________________________

NorthStar

Brand New‘s recent performance at the North Star Bar was recorded at a decent quality and is available free from one of my favorite blogs
http://bsidesrus.blogspot.com

Tracklist
1. Guernica
2. Sic Transit Gloria
3. Quiet Things
4. Shower Scene
5. Tommy Gun
6. Bride
7. Gasoline
8. Talk About New Album
9. Sowing Season
10. Archers
11. Jesse Talks About Satellite Radio
12. Jesus
13. Mixtape
14. Flying At Tree Level
15. 70×7
16. Jude Law
17. Santa Monica and Weezer Banter
18. El Scorcho
19. Degausser
20. You Won’t Know
21. Oh Comely

_______________________________________________________________________________

I expect the lists to grow longer and eventually include design freebies as well. Stay tuned.


16th Jul2009

Skies on Fire – 2009

by nickwan

Skies on Fire - 2009

It’s been a few years and these New Jersey natives are still together. Pretty good when Eddie Cuddy, lead singer/guitarist, is peacing out for college in the fall. Much more importantly, these kids aren’t in college and they are blowing a lot of their competition out of the water.

The album is five songs and not shy of a definite departure from their first demo they put out,entitled So Far, So Good, which came out a Summer ago. The biggest difference: the mood. Leaving the realm of angsty aggressive indie rock into the realm of indie rock mixed with indie pop, SOF is doing one of two things at the moment: either really putting their heart into their instruments or faking it really really really well.

Another big departure from the last demo, production quality. The singers aren’t being shafted on vocal tracks this time, and it shows. On So Far, So Good you could hear the rushed recording that accompanied the instruments. This new venture seems like a lot more time went in to this album, inside and outside of the studio. Also, the more prominent use of some sort of click track seems like it’s helping too. On the first album, there were a lot of tiny production errors. Summed together with post-production errors and a rushed recording session, you can see how things could get some what messy despite their best efforts. This new demo is really flourishing in what kind of studio band SOF can be.

The biggest similarities to other bands that come off the top of my head are a local band and one of my favorite bands: You, Me & Iowa and The Get Up Kids. It’s pretty clear if you compare YMI’s latest album, called The Adventures of You, Me & Iowa, and this demo what kind of slot SOF might fall into. As for TGUK, one of my favorite bands ever, something YMI doesn’t have is two singers, like Matt Pryor and Jim Suptic are to TGUK. The big thing that this does for SOF is that diversity in their music won’t just have to come from how they make their music sounds but from the shared singing duties they could potentially utilize.

The five songs on this CD are solid for the most part, but the only thing that is driving me into a “wtf” state is the identity crisis shown on the CD. When I talk about diversity on a CD I don’t mean how many different genres you can cram in before every single radio station can play a song off your newest release. Consistency in the sound is maybe the thing lacking on this album… but that doesn’t take away from the music. It’s still good music. The first song “Out of the Grey” shows off this indie pop side of SOF pretty clearly with the first half of the song. No distorted guitarist, keyboards, a lot of indie pop stuff that the scene is creaming over right now. Then the second half of the song is this heavy jamb from whoknowswhere. Unexpected, yes. Unwarrented? I’m not so sure. But that does set the stage for the rest of the album. The second song “Tail Light at a Distance” is the most throwback to SOF’s older songs. Crunchy with dah-dah-dah’s and singalong choruses written to be sung along to. I’d be pissed if the entire CD sounded like this song, but I’d also be pissed if they shunned what they did so well a year ago. “Good Enough”, the third track, is where we see a singer change. This is a slower jam that some might call the scenester nu-ballad that every single band ends up writing. Complete with sappy-sad lyrics and a volume fade out into the sunset. “Photography” is a song where endless solos aren’t just saved for the live show anymore. It’s got this east coast vibe to it, but after sitting through 5 minutes and 36 seconds of that last song I have to admit I wasn’t really in the mood for another slow jam, despite my love for swing/jazz snare beats. From 3:30 to 4:33 is a cheese filled solo from a decade these kids weren’t born in. Then from 4:33 to 5:19 (which is the end of the song) you have some vocals and soloing over that. Endless. At least until the song itself ended. The only two songs that were similar were “Good Enough” and “Photography”, and knowing Eddie Cuddy I really don’t think he’d like it too much if that was the kind of sound his band produced for a full length CD. As for the last song on the album, “Winter”, this is the shortest and maybe the most New Jersey of all the songs on here. Once again loud and heavy, it’s got this “Cat Scratch Fever” vibe to it that makes you think “are we going down to the shore?”. Not trying to knock it, but to end the CD on that track really seals the deal for the identity crisis, and I don’t mean Thrice’s album (or their current state as a band).

The pros: for each song, awesome solid songs produced and recorded great. Great vocals to boot, which is hard to find from a few high schoolers.

The cons: I’m never a fan of going to a show and being confused as to what the next song will sound like. Some bands can do it, but those bands usually walk a fine line between doing it well and ruining themselves. This line is much finer for a band whose pond is quite small. So the personality disorder is definitely my own personal con to this album. The other con would be two similar sounding slow songs right after each other. There isn’t much room for error in track listing a demo CD, and it seems that if there was an area that lacked anything it was the track listing. The first song has a slow jam to it for the most part, the second song is definitely a pick-me-up to the album. To keep the integrity of the album currently, I might suggest listening to the album in this order: Out of the Grey, Tail Lights at a Distance, Photography, Winter, Good Enough. However, if I were to listen to this CD/decide the tracklisting… I would make Tail Light at a Distance the LAST song on the CD. Maybe it might sound better if it were Out of the Grey, Photography, Winter, Good Enough, and Tail Lights last? Still, two slow jams…. but maybe catching them early is better than leaving two songs that are 5:30 a piece right after each other. Who knows.

Aside from the second half of this review, of me railing the album of it’s faults, I do believe that overall I like it. Out of 5, I’d give it 3.5/5. It might have been higher if there were one or two more songs on this demo, preferably one more fast song and an acoustic song. Also, it would have been a lot lower if the Photography solo was any longer.

This has been tagged for relay. If you want to download this album, I would suggest heading towards the SOF myspace website: www.myspace.com/skiesonfirenj

13th Jul2009

Erik Schau in The Shed — Day 1 and 2 (and sort of day 3)

by nickwan

IMG_0328Erik Schau (pronounced “shh-ow” ["ow" like ouch]) [www.myspace.com/erikschau] has been a regular in The Shed and Shedaluma since his campaign to take over the singer/songwriter world. Ryan Tamborski (aka Tambo) and sometimes myself have ventured into the production of Erik Schau’s music ever since his first songs, Dreams of Driftwood and Most of All. Since then, Schau’s done some maturing — musically and mentally. His newer songs are less like the campfire songs of a few years ago and more along the lines of some heavy shit that a lot of us real people go through.

Schau has about eight or nine songs he’d like to record in the next few weeks. Tambo is somewhat busy with his own endeavours, but will most likely be in the fray of this album sooner or later. But until that day comes, Schau and I recorded a song called Back Home over two days. The original demo, which will hopefully see the light of day, had this Hawaiian/tropical vibe to it that everyone but myself pointed out. I saw this song as more of a way to introduce something Schau hasn’t really been backed by: a band. We’ve done a bunch of not-so-traditional drums on all of his recordings in Shedaluma, which usually turned out great, but never have we crossed into the realm of just some four-piece kit with some cymbals and only one guy behind the set. Of course, we couldn’t necessarily do that either so we went with some machine drums instead… but it’s a start.

Another aspect of the song we recorded is the slowly developing idea of whether or not Schau wants to stay on the side of what the song means and how it feels altogether… or if he wants to bounce to the side he’s very familiar with musically, just having some good fun with a mic, a recording machine, and no one to tell you not to. Except me of course. The line is very fine at the moment, but maybe when we lay a few more tracks down we can gather up what the album should actually sound like… a party? or something more serious?

IMG_0324

Since the song was recorded at The Shed (and parts in my own room) it’s hard to say how different the quality would be if we also recorded some tracks down in Shedaluma. The quality of mics and space shoot through the roof in Shedaluma, whereas here at The Shed we’ve got very very very limited space and equipment to work with. Engineering a tasty hit out of this place is kind of like trying to build a skyscraper with toothpicks — it’s possible……. but it’s a very very long way before it will actually happen.

If you’ve ever followed my production blog [nwlikesmusic.blogspot.com] then you probably know about the only mic that is owned by The Shed. It’s an Audio-Technica PRO24, which is a really cheap condenser mic. There are a few Sony mics in The Shed but no phantom power to use them, unless we run it through the Korg D4… but then it’d be way too much of a hassle and recording wouldn’t be as fast as it would be annoying. So we’re stuck with some shitty mic here but we’re making it happen.

Another thing that we’re doing is using the old school Fender Bassman with… dun dun dun! An actual BASS guitar!! We’ve also used it with my electric guitar as well. Luckily for this song, it’s kind of got that beach vibe so the Fender tone isn’t too much… which it could be at times.

IMG_0330We did vocals in both my bedroom, which gives a better acoustic sound and doesn’t sound as cramped of a space either, as well as The Shed. The difference in the ceilings really helped out for differentiation in the double tracked vocals. We also recorded all of the acoustics in my room since hardwood gives off better vibes than carpet does. Electrics were all done in The Shed.

IMG_0323During the mixdown, Felisha Gonzalez helped me out with the ending of the song… whether it should be more Weezer or more Mason Jennings. Turns out, the mix of the two was her decision: the vocals from the first mix and the solo from the second mix. She also would like to add that she “perfected it”. Also, Schau asked her prior to the mixing that he “demands perfection”. Great job editing team, you’ve appeased each other. As for the song itself… it’s in the link below! Check it out!

IMG_0318Erik Schau – Back Home

right click and “save target as…” to save to your compy. or just click it to stream!