18th Dec2010

Weekly Digs #12 (12/18/10)

by Adam Finley

The year is winding down. Album Of The Year has been named. And it’s cold as penguin balls in most parts of the country. Here’s what Nick and I listened to while trying to stay warm in NYC and Seattle, respectively.

Finley’s Picks:

Animal Prufrock – congratulations; thank you + i’m sorry

Not sure how I even stumbled across this, but “Animal” from Bitch And Animal signed with Ani DiFranco’s label and put out a solo album of ridiculous, enjoyable songs with titles like ‘Cosmic Tranny’ and ‘Emotional Boner’. Imagine Tegan & Sara meets Jill Sobule meets Baggy Time. I think I just made Nick’s head explode.

Jonsi – Go

So my AotY picks were not spot on with the rest of the crew, but my decision to not vote for Jonsi wasn’t a reflection of my feelings about the album– I just liked Sleigh Bells and Bad Books better. Since my colleagues repped this so hard I decided to go back and listen a few more times, and they are right: Go deserved the spot I gave to Black Keys or Joanna Newsom. My bad, ya’ll!

Buckethead – Shadows Between The Sky

Consumate weirdo Buckethead puts out 1-4 albums per year, and this one– his first of 3 from 2010– is a nice relaxing journey that doesn’t sound too far off an Explosions In The Sky album.

Nick’s Picks:

Cloud Cult – Light Chasers

This is the best album for these cross country flights I’ve been on.

The Human Era – Modern Mirage

Really can’t get enough of this album. Definitely looking forward to whatever the next release is.

Brett Detar – Bird in the Tangle

Although Adam Haynes doesn’t quite enjoy the slide guitar, I personally love it.

13th Dec2010

The Best Albums (and more) of 2010

by nickwan

This year was not the strongest for album releases in a whole. Out of the 88 albums we reviewed this year, 22 albums were considered bad. That’s 1 out of 4 albums that aren’t worth your time. However, 17% of the albums we reviewed were nominated for album of the year. Of course, only five get to be chosen as album of the year. Here’s the list! Feel free to click on the album to check out the full album review.

5. Minus the Bear – Omni

Michelle DeVries on Omni: This is the kind of album that I’ll be listening to for years, and then a decade down the line I’ll bust out the album and be like “Ooooooh my gooooood! I remember these guys! Geeeeez, remember when I had to make that top 5 list for 402 Productions? Man, those were the days.”
4. Jonsi – Go

Nate Pavlot on Go: From start to finish, listening to this album puts me in a dreamlike state. While definitely retaining some similarities to Sigur Rós, Go offers a much lighter and whimsical sound, and with Sigur Rós on an indefinite hiatus, I am anxiously awaiting more from Mr. Birgisson.

3. Fang Island – Fang Island


Nick Wan on Fang Island’s self titled: When putting together a “best of” list for myself, the biggest question I usually ask first is what album haven’t I stopped listening to since I got it? This is definitely one of them.

2. Cloud Cult – Light Chasers

Nate Pavlot on Light Chasers: What an album. I can’t even begin to describe how much I’ve become enamored with Light Chasers. Making creative use of a vocoder, French horns, and violins — Cloud Cult’s Light Chasers hooked me from the very first listen. Built as a concept album, the LP really deserves a full listen, but even still almost all of the tracks shine individually. Overall, this is the most complete album that I’ve heard this entire year, hands down.

1. Sufjan Stevens – The Age of Adz

Adam Finley on The Age of Adz: To be perfectly honest, I’ve always been on the fence about Sufjan and, unlike many, I don’t think Illinois is the greatest album ever.  But The Age of Adz blew my away and gave me an entirely new perspective on Sufjan, from his ability to pluck a guitar and whisper a song that Elliott Smith would have died to write to his ability to layer 327 sounds and scream “I’m not fucking around!” over it and have it actually sound organic.

For a little more insight to how we got down to deciding our list for the year, the writers had to contribute their top five albums of the year in the order they believed them to be in. Then, we averaged the scores and ranked them based on the average scores. In the event of a tie, the album with a higher ranking from a staff member will be the tie breaker (in this case, Fang Island vs Jonsi). In the event of a no album was ranked higher in any circumstance, judgment was delivered by how much more I enjoyed one album than another (in this case, Minus the Bear vs Jonsi). Check out the table below to see what I’m talking about.

AlbumFinleyNateNick WanMichelleAverage
Sufjan Stevens - The Age of Adz223NR3.25
Cloud Cult - Light ChasersNR11NR3.50
Fang Island - S/TNR52NR4.75
Jonsi - GoNR3NR44.75
Minus the Bear - OmniNR4NR34.75

Some list facts and oddities: Nate was the only writer who chose all five albums of the year as his own top five albums of the year. Adam Finley chose only one album that was also chosen by another writer. Cloud Cult’s Light Chasers received the most #1 votes.

For your blog and reposting pleasures:

5. Minus the Bear – Omni
4. Jonsi – Go
3. Fang Island – Fang Island
2. Cloud Cult – Light Chasers
1. Sufjan Stevens – The Age of Adz

Albums that just missed the cut:

Sleigh Bells – Treats

Adam Finley on Treats: I would hope that I’ve made it clear by now as I insisted that this be added to the AotY list, but my musicscape was expanded by Treats. I’ve listened to this album easily 30 times this year and I’m not at all tired of it.

Good Old War – Good Old War

Michelle DeVries on Good Old War: This album was hands down my favorite. There’s always at least two or three tracks on an album that just don’t do it for me, but there was literally not a single track that I didn’t like, if not absolutely love. I think there have only been two or three other albums in my LIFE that have had solid tracks throughout the entire album. For this reason, and for the fact that they absolutely fucking rock, I choose them as my number one.

Our Top 5 Random Things of the Year:

Adam Finley’s Top 5 Gross Awesome Homemade Drinks of 2010

5. The Ghetto Turtle – Drink half of a Colt .45 and fill it back up with that green Ecto-Lime Kool-Aid. The resulting color resembles a dirty turtle. It also tastes like licking Splenda off a rusty bike chain.

4. Just Goon – A drink I invented out of necessity when I lived in Australia, this consists of equal parts store-bought from-concentrate juice with no nutritional value to speak of (Just Juice if you can find it), and boxed wine, which is affectionately referred to down under as ‘goon’. Makes you look classy when you’re drinking at 9am.

3. Home Loko – Now that NYC and Washington State have banned the caffeinated malt liquors, it’s necessary to get creative. This recipe involves recreating a Four Loko with stuff available at any corner store. Get a 40oz of your favorite malt liquor, pour half into an empty 40oz bottle, then fill both bottles up with equal parts Monster Energy Drink and Sprite. Finally, drop a caffeine tablet and 5 jolly ranchers of you choice into the bottle– I prefer Watermelon. Prepare to black out and fire half your staff (ahem, Nick).

2. The Orange Jack – Ever tasted a sugar cube covered in Tang and live bees? Drop a shot of Jack Daniels into a glass of Orange Crush and you’ll get as close as you’ll ever want to.

1. Brita Vodka – Still my all-time favorite homemade drink for dedication and hilarity, this one-time experiment has turned into an annual event proving that science can be delicious. This works exactly like it sounds: take a bottle of shitty grocery store vodka, get an ordinary Brita filter, and filter the vodka several times. Each time through, the charcoal in the filter absorbs excess hydrocarbons which makes the vodka taste less like the inside of a carburetor.

Nate Pavlot’s Top 5 Mustaches

5. Anthony Edwards AKA Goose

No ace pilot would be right without his wingman, and no wingman would be right without a sweet mustache. Even though Maverick is clearly the star of Top Gun, Goose and his ‘stache will always hold a special place in my heart… even if he does die.

4. Geraldo Rivera

Even if he didn’t find Al Capone’s secret stash, Geraldo Rivera knows a thing or two about ‘staches. This news buff knows how to ask all the tough questions, and his mustache has been there for all of them.

3. Wilford Brimley

If I were to make a top 5 list for Wilford Brimley, his mustache would come in at #2, only slightly behind his pronunciation of the word “diabetes”. The thing is just timeless. Wilford’s mustache says “I’ve been there, I’ve done that, and I can do it well”. Plus, he kind of reminds me of a walrus.

2. Tom Selleck

The man, the myth the legend. The Magnum himself comes in at #2 with a sick mustache hair combo that will have all the ladies saying “haaaaaay”. Even though he still rocks it today, Selleck’s mustache saw its prime in the glory days of all mustaches. I can only hope that those days will return soon.

1. Burt Reynolds

There was never any doubt in my mind as to the #1 pick. Reynolds is the king of the mustache, iconocizing the lip warmer in all of his manly glory. Looking at his mustache brings me back to a simpler time, a time where men could be men, and mustaches were not creepy at all. I often wonder what life would be like today had mustaches everywhere retained their glory.

Nick Wan’s Top 5 Ways to Not Get Press

5. Using dumbspeak

I’m not your bro, so please don’t trying to spruce yourself up by trying to level with me via inquiring how hella sick I am. In all honesty, I’m not that great of a person anyway. Especially when I reply back with something along the lines of NEVER SAY THAT AGAIN.

4. Forgetting to send something necessary for us to review you

Album art, fine. I’m sure we can scrounge something up from your website. No bio? That might be difficult to find your EPK if you haven’t sent one, but we’ll try to make due. No ALBUM? Seriously? And don’t even get me started on people who don’t mention their band’s name. I’m not Professor Xavier. I can’t locate all of your band’s info telepathically. Much less, it’s not possible to do these tasks if your band doesn’t have a website in the first place. So, try researching around a little bit to see how others have done it. Utilize the internet, people.

3. Send hate mail via your management

This one is something relatively new but impressively dumbfounding. Most management and PR people we come into contact with are really nice about us bashing one of their own in, in hopes that they’ll impress us with another one of their affiliates. Some decide it’s worth it to write threatening responses for various reasons. Some say we are horrible journalists. Some mention we have no experience listening to the music we review. Some even bash the other bands we reviewed (very, very unprofessional). Heads up clue, team: don’t be pricks.

2. Send too many emails

After about five or so, I don’t find myself very enthusiastic about piecing together this collage of data sprinkled throughout your somewhat-daily-installments of obviously-enthralling internet facsimiles. Each of the writers has some sort of threshold, and it definitely is a sliding scale. But one thing is for certain: if the reason this is happening is because of something to do with #4, then we got problems.

1. Write a poor email

Sometimes, people actually send everything and have their ducks in a row and everything seems to be perfect. Then I read the body of this email and it’s as if a third grader was just practicing his or her first sentences ever. Subjects and predicates are nonexistent. Spelling errors take over each word like zombies feasting on a catatonia ward. It’s like what a cake looks like after a food fight. Would you want to eat that cake? Could you? I didn’t think so.

Michelle DeVries’ Top 5 Things That are Green

5. The old Mighty Ducks Jerseys

4. Christmas trees

3. My cat’s eyes

2. The Emerald City

1. Avocadoes

20th Nov2010

Weekly Digs #8 (11/20/10)

by Adam Finley

Thanksgiving is coming, friends! This is a ridiculous development as I am fairly sure it was April about 2 weeks ago. At any rate, we listen to a shedload of music each week (I can’t speak for my 402 comrades, but for me it’s anywhere from 6-10 hours a day). As we prepare to dig into a bucket of food next Thursday, here’s a sampler of what we’ve been digging this week.

Nick’s Picks:

Crabe – Ero Gaki

It’s weird. I got a review coming. If you haven’t been experienced yet, please check them out.

The Radio Dept – Clinging to a Scheme

Maybe the album of my own personal year. This album has grown pretty heavily on me. I really like it now.

Cloud Cult – Light Chasers

This has just been on constant play for me since I got wind of it. Love it.

Adam’s Picks:

Kanye West – My Beautiful Dark Twisted Fantasy

Two weeks in a row? Yep. And I don’t regret a thing. Guest work from Bon Iver, Nicki Minaj, Jay-Z, Raekwon, and Pusha T alone make this album worth listening to.

Sleigh Bells – Treats

After Nick’s smashing review, I was reminded of why I listened to this album like 200 times earlier this year. It hasn’t lost any of its punch in the intervening months.

Darius Rucker – Charleston, SC 1966

For serious. Hootie (minus the Blowfish) has gone country, and his second solo album is a clinic in song craftsmanship, even if it is in a genre that I don’t frequent. Nothing here is going to break your brain, but Hootie crafts pop songs with the best of them and this is a surprisingly enjoyable listen.

Michelle’s Picks:

Bright Eyes – I’m Wide Awake It’s Morning

Modest Mouse – Good new for people who love bad news

Dixie Chicks – Fly

03rd Oct2010

An Interview: Cloud Cult

by MichelleD

In early August, Cloud Cult’s album, Light Chasers, was reviewed and nominated for album of the year! A lot is going in the lives of the band right now as they resume touring after a short break and a new addition to the band family, but they were incredibly sweet to us and Craig answered a few questions for our interview. Enjoy this little preview into the genius minds of one of our album of the year nominees.

What is the concept behind the album? What is the story? What was it based off of?

The album concept is the story of the search for the light at the end of the tunnel: the Grand Mystery or of God. There’s no specific mass religion connotations, but the simple search for the truth.  It’s based off the ongoing Cloud Cult story. Basically every album is a philosophical pursuit on some level.

How do you feel about many other bands releasing smaller packages of songs in forms of splits and EPs as of late? Do you feel like other bands are holding back or do you feel that this is the next step in recording albums? In the new world of on-the-go playlists and mix tapes, do you feel that the idea of listening to an entire album as a whole is losing it’s identity?

Yes, it’s getting very difficult to release a full concept album. In the days of old, people bought records and brought them home and listened front to back. Nowadays, they download it, and it enters the overall shuffle. I think that shuffle form of music lends itself nicely to digital distribution of singles and EPs, which is probably why more bands are going that route. I think the average listener’s attention span has decreased dramatically, too. I remember when I bought albums as a kid, and an hour length was what you’d expect for the price.  Most of the new albums I look at are a collection of around ten short singles, clocking in at under 40 minutes.

There’s been a new addition to the Minowa family! How has this affected the band? How does this affect touring? How has Connie coped with juggling a little one and being on tour?

Nova’s entrance into our lives affected this album deeply.  The touring has been an adjustment, but he seems to thrive on adventure, so I think it’s nice to see him go through these exciting days. Connie has done incredibly well adjusting from going from Mom mode, putting him down to sleep at night at the hotel, and then rushing to the club to go into entertainer mode and crank out an original piece of art in the 90 minute set.  After the show, we now rush back to the hotel, rather than having hanging out and having a beer. And then we get up at 5:30am when he gets up and do it all again.

The tour journal is chocked full of fantastic photos and stories. What are a few favorite on-tour experiences?

This was our first tour with our new baby, so my favorite memories are of my family traveling across the country. Nova, our son, has grown new teeth on this tour and is on the verge of walking. He giggles at everyone we pass, so he’s become quite popular with the folks in the hotel breakfast rooms each morning.

There’s more happening on stage during your live shows. I speak, of course, of the two talented artists who paint during your show. What was the inspiration behind this? What kind of things influence the paintings that each artist creates?

Scott West was one of my closest friends in later years of high school and Connie Minowa was my girlfriend. Both of them went to art school for college, so there was a lot of times where I would be writing songs while they were painting. The collective art form just started to feel natural, so we brought it to the stage.  Each night is a different painting, and it’s usually inspired by the crowd or some occurrence from the day.

You guys do a lot in terms of staying green, solar panels on your van,  a studio built from recycled materials, and efforts towards digital album sales to name just a few. Why is this such an important effort for Cloud Cult, and where do you come up with the ideas?

Environmental ethics are a huge part of who we are, so running a business, like this band, just requires that  we make decisions that we hope all businesses would make in protecting our environment. We take responsibility for our own actions and hope it can inspire others to do the same. There are some serious environmental issues on the horizon, and we all need to recognize the power of our individual hands in mitigating those threats.

Go check out their official website at: http://www.cloudcult.com/cloudcult.cfm

Cloud Cult – “You’ll be Bright” from their new album Light Chasers

12th Aug2010

NW Reviews: Cloud Cult – Light Chasers

by nickwan


Lately, many bands have been toying with the idea of many EP releases rather than a full length album every one to two years. This almost completely eliminates the idea of the extended length concept album. Enter Light Chasers by Cloud Cult. A seemingly traditional concept album about a journey of some sort, the music considered is anything but traditional.

These Twin City fellows have been in the process of experimenting with their own indie sound since 1995. I give it up to these guys, since it seems that their previous eight albums have all been close to breaking the surface but never quite obtaining something their fans could consider legend. Light Chasers seems to be the one that has broken through. A heavy mix of their old sound, infused with varying electronic production, and an inspiring concept behind the album makes this one a very pleasant surprise for 2010.

It’s what the Arcade Fire should have gone and released this year. It’s what The Flaming Lips wanted to be. Hell, it’s what The Polyphonic Spree should have been. Cloud Cult’s Light Chasers is something between a musical orgasm and a necessary release to make this indie-pop genre something different. This album spans practically every interesting bit of the indie scene. From orchestral-esque arrangements, to hard four-piece rock band sounds, all the way to the acoustic heart-breaker singer-songwriter. Usually, too much on an album never pays off, but Cloud Cult had an idea in mind and didn’t stop until it was practically perfect. Ambitious idea paid off.

Every now and then the production is a little more over-the-top than necessary. From excessive vocal arrangements to random choices of auto-tune. Most of the cons are based solely around the vocal arrangements. Musically, about half way through the album I felt as if it were a different album. This isn’t necessarily a con, since the album itself is a concept album and has a little more emphasis to do as far as mood and storytelling is concerned, but from a person interested in this as just music… it might be a little off putting. Especially since the electronic production is more prominent in the second half of the album. It would be like subtly changing between Jonsi’s Go into Owen Pallett’s Heartland except instead of single singer-songwriters it’s eight people.

I would hope some indie band out there who picks up this album is seriously inspired. I’d rather have bands like this out there than the slew of indie-pop that is just more along the lines of mainstream-pop you would hear on your local “alternative radio station”. Very good, Cloud Cult. Very good.