19th Jun2011

Weekly Digs #30 (6/19/11)

by Adam Finley

Time is even sneakier than the head-phoned leopard, and we’ve very nearly reached the halfway point of 2011. It’s almost time to do our January-June Album of the Year round up, but while we wait for Mr. Nick “The Man” Wan to put that together, let’s give props to our newest writer, Ryan, by letting him go first with the music recs this week.

Ryan’s Picks

The Who – Who’s Next [Bonus Tracks]

Yeah, bonus tracks.  I picked this up for budget price at a Best Buy not too long ago.  Apart from an obviously classic album, this includes a live version of “Water,” which kicks more ass than a steel-toed boot.

Guided By Voices – Self-Inflicted Aerial Nostalgia

I bought this as part of Box, which is a compendium of the group’s first four releases, plus a rarities disc.  For me, Self-Inflicted Aerial Nostalgia is their first step towards perfection.  Listen to “An Earful O’ Wax”:

Nick’s Picks

Police Sirens

For some reason (I think I know the reason) there has been way more cops on this street this past week. I’m thinking it’s because people are graduating. However, looting is also a possibility.

Far – At Night We Live

Vastly overlooked, vastly underhyped. When they came back with this, I went to almost every live show they had around northern California. Far is up there on my “most-influential” list. Hmm… maybe I should ask everyone for their most influential lists… good idea, me. Watch “Deafening”:

 

Blake’s Picks

Nero – Guilt

Nero has been throwing out amazing singles for a while now. This specific song is about as sexy as a dub track can get without climbing the trip-hop tree. We all know strippers dig Massive Attack.

Grateful Dead – Casey Jones

This song is about as relaxed as you can get. I enjoy driving around and listening to it at least once a week: “And not a single fuck was given that day.”

Nate’s Picks

Bad Books – S/T

I’ve really gotten into this album more and more recently. The Kevin Devine and Andy Hull really compliment each other well. The songwriting on this album is pretty unreal.

Big K.R.I.T – K.R.I.T Wuz Here

This guy’s one of the best MCs in the game right now. He’s got loads of potential and I can really see him blowing up in the future. Check out “Hometown Hero”:

Finley’s Picks

Tyler, The Creator – Goblin

The deeper I get into this album, the more interesting I find it. I feel like I finally have a grasp on it after eight or nine listens, and if I can keep my head above water this week it’s finally getting the review it deserves.

Harvey Danger – EVERY HARVEY DANGER ALBUM EVER

How is it that Harvey Danger is only remembered  as the band that did that “Flagpole Sitta” song from that stupid movie with the chick from Dawson’s Creek? That’s fucking criminal. Harvey Danger released dozens of excellent, cheeky songs that bridged the gap between Seattle’s grunge and modern indie scenes. These guys are the shit, and always will be. Watch the video for “Sad Sweetheart of the Rodeo”:

08th Jun2010

NW Reviews: Far – At Night We Live

by nickwan

There are many ties from 402 Productions to Jonah Matranga. Our first DVD production was a Gratitude (RIP) live show DVD. A few years later, a live show onelinedrawing/Jonah Matranga DVD that never saw the light of day. The first 402 Productions road trip was following Gratitude for four dates as they toured alongside Straylight Run (RIP) and Spitalfield (RIP). Needless to say, the love for Jonah and crew (whichever crew that may be) goes deep and far into this company. However. To be impartial, this new album, At Night We Live, should stand alone.

From the legendary Water & Solutions through the years of many different personnel groupings alongside Jonah himself, many post-hardcore or (dare I say) early-emo/indie rock bands seem to incorporate numerous amounts of inspirations from these pioneer bands. Far, a Sacramento product that aligns it’s upbringing with The Deftones, has been the target of countless cover songs. Funeral for a Friend covering “The System”, Thursday covering “Mother Mary”, Finch covering “Bury White”, the list of high profile mainstream indie bands who cover Far goes on. There isn’t much doubt that a shadow has been cast upon many of the branches Far has produced, but after being out of the proverbial game and without side-by-side contact, will Far be seeing any more high profile covers from their newest endeavor? Have a sample of the title track and first track, respectively, off their newest release below.

There isn’t much doubting Far’s return in this album. At Night We Live is exactly what Far-lovers expected, and then some. Emphasis on the “FAR-lovers” and not universally “Jonah-lovers”. This album takes nothing away from Jonah and all the while gives every expectation to the entire band effort. Truly, the most logical step after Water & Solutions. Only showing off what can be done in the world of Far alongside of age, At Night We Live takes no prisoners and slays fans with a familiar 90s metal tune mixed with a ’10 structure, a la producer and guitarist Shaun Lopez. Seemingly a very “within the circle” production, Far’s recording and production crew (made up of themselves) seemed to know what was best for… well… themselves. To quote someone’s father, “You know what you’ve done wrong… so do right.” And that they did.

After much of the nostalgia wears off, what is left? Many of the songs, as much as I will love pitting around a live show to, seems more of the norm. Heavy distortion, walking bass lines, lots of floor tom rather than the precarious hi-hat… although the model has been cast, the most groundbreaking bands seem to “break the mold”. Although Far was one of the initial casters of said mold, to be caught up in your own creation is usually a formula for disaster. Just ask Dr. Frankenstein. I’m not saying this album is a Frankenstein (it definitely is not), but rather just more of the same. I’m not putting into context what has happened between now and their last album. Before this latest album, their last album was put out in 1998, twelve years ago. To have such a connection and song writing apt with these same people is definitely veryveryvery impressive, but to time warp twelve years backwards in favor of nostalgia is another story. As far as this album goes, although the most die-hard of Far fans (most likely within the age of late-20s to 30s now) will love this album, these aren’t the ballads of yesterdecade. Although very similar, the times are a-changin’. Mr. Far, we are changing.

When fighting an uphill battle, bait your soon-to-be-victims into you. May it be a scream, a subtle hint of position, a signal flare, or a mistake, to win a lopsided battle, one might have to be more tact and resilient than another. However, using the same example, one might not wish to barricade themselves into a closed area for the sheer motive of survival. There is a world out there for you to experience. Sitting protected in a safe house might seem live-extending, but what is life without experience? I digress a little, but the idea for Far is similar. At which point does bringing back post-hardcore/nu-metal become less inspirational and more of a gimmick? Like the soldiers protected and trapped by their own doing, Far protects themselves by creating one of the most solid late-90s albums of our time and also traps themselves by limiting their range to the late-90s. It was fun while it lasted but the ride is seemingly over. The album wasn’t bad (and was actually one of my personal favorites of the year) but the expansion was definitely poor. I know exactly what the next Far album will sound like. Although I will love it, I’m pretty sure most people ten years from now won’t buy into it. Look at AC/DC. They released their album, Black Ice, in 2008. Their album Stiff Upper Lip was released in 2008 and had one insta-classic song entitled “Stiff Upper Lip”. Up to now, aside from that one song, what songs are most requested by AC/DC?. Definitely not anything off Black Ice, or anything from the 90s at all. AC/DC is an 80s rock band. They will forever be known as an 80s rock band. Far? A trend has been set. It’s up to Far to decide whether their legacy will be Water & Solutions or something completely more cult and revolutionary than that prior album. As for At Night We Live, the album was good but for the casual fan… possibly forgettable. It definitely was nothing near bad, however. So:

16th Sep2009

Owen – New Leaves

by nickwan

Not only has Mike Kinsella brought lists of confusion to those who want to play his songs since he rarely ever plays in standard tuning, but does it in such a way that makes you think “damn… this doesn’t sound like it’s that hard”. When it comes to simple sounding music, Mike Kinsella in his “Owen” persona takes the cake. The layers of instruments, the simple use of distortion, and yes… the weird time signatures that pop in and out of the record, make his new album New Leaves his best album to date, and a contender for album of the year.

Mike Kinsella is no guitarist by design. Originally the drummer for influential Chicago indie band Cap’n Jazz, Mike Kinsella found his way to the guitar in his own studio outfit dubbed American Football. A few years pass, and Owen is created. His first album being completely different from his next albums, this newest album is the most “kick back” to his older upbeat sound. New Leaves takes the intricacies of At Home With… and the indie-pop sound of I do perceive. and fuses the two into this new creation.

The Polyvinyl site (Mike’s label) officially states that this album was recorded over the course of two years, with three producers other than Mike to help him with the noise. Unlike At Home With…, New Leaves doesn’t set out with the intent to be that “at home” feeling album. Although, as usual, Kinsella brings the notion of an “at home” feel not for one entire song but rather in and out of songs — never once does this album encounter just a solo attempt with guitar and vocals as his previous albums have showcased in at least one song.

Something that definitely is a kick back to I do perceive and those songs would be the electric guitars. Although they sparsely appear throughout his discography, I do perceive had the bulk of the electric vibe to it. This album, New Leaves, definitely brings that attitude and feel back. Songs like “Never Been Born” and “The Only Child of Aergia” showcase this brilliantly. As for the more At Home With… flavor, “Ugly on the Inside” is the best earthy-acoustic sound produced on this album, with reminiscence of “Sad Waltzes of Pietro Crespi” off of At Home With… Although, some people might be surprised to hear that “Good Friends, Bad Habits” is not the original acoustic demo he posted on his MySpace page a few months ago. On the contrary, it doesn’t sound like it at all… however, if you ever get a chance to see Mike live, you will be surprised usually to hear what the acoustic versions of most of his songs sound like.

The pros for this album: Mike Kinsella is not afraid to go back and revisit those old sounds he once created. Many artists today feel like tampering with older stuff is almost on a level of unoriginality. Mike Kinsella uses his predefined sound as more of a base rather than a complete rip off to start his album. I would definitely say it is most different from other albums he has put out. Another pro is that there isn’t any of those “Owen-esque” bridges or outros that last half of the length of the song (e.g. “Bad News” and most of his first album, self-titled). Some people might not think that’s a pro, but I am a firm believer of a studio vs live sound… and the infinite outro is definitely an on-stage-only execution.

The cons for this album… when will you ever actually hear any of these songs? Much less, with a band? I know he played with a band in promotion of this album ONCE in his hometown of CHICAGO… but unfortunately, the last time I flew out to Chicago for a show with Mike Kinsella was when he put together a Fugazi cover band and right after one song downtown Chicago had a black out. Sweet flight over, bro. Mike Kinsella is a father first, also. Touring for him is seldom and usually to the east coast. Plus, he usually never headlines… so his sets are anywhere from 20 to 30 minutes long. Another con, going along with the live sound theme, is the idea that all these songs not only have band components to them but they are practically integral. With the past albums, and most pronounced with At Home With…, Mike Kinsella used a backing band in the studio only to make the (usually acoustic) guitar and vocals more accentuated.  Rather, this newest album has a lot of bass guitar and piano that become the main rhythm or most memorable lead to the songs where they are featured. To be honest, the first time I saw him play “Bad News”  I honestly thought to myself “holy shit, he’s playing the rhythm and lead at the same time…” so, with that in mind, it’s possible he surprises us with his guitar madness yet again.

In the race for album of the year, this album is my personal favorite of the year. The five most memorable albums thus far have been: Owen – New Leaves, David Bazan – Curse Your Branches, fun. – Aim and Ignite, Brand New – Daisy, and Ace Enders & a Million Different People – When I Hit the Ground . The next most exciting album for me to hear will be Tegan and Sara’s new album Sainthood along with AFI’s upcoming album Crash Love. It’s always possible that Glassjaw might throw a new album out there… but who’s to say? Far is expected to have an album out for sale before the year end as well, so there is definitely plenty of music to look forward to still… it’ll just be hard to top this album.

This album doesn’t officially come out until September 22nd, but if you were lucky and got the pre-order then it’s been at your doorstep since yesterday at the earliest.

This item is tagged for relay

16th Jul2009

Skies on Fire – 2009

by nickwan

Skies on Fire - 2009

It’s been a few years and these New Jersey natives are still together. Pretty good when Eddie Cuddy, lead singer/guitarist, is peacing out for college in the fall. Much more importantly, these kids aren’t in college and they are blowing a lot of their competition out of the water.

The album is five songs and not shy of a definite departure from their first demo they put out,entitled So Far, So Good, which came out a Summer ago. The biggest difference: the mood. Leaving the realm of angsty aggressive indie rock into the realm of indie rock mixed with indie pop, SOF is doing one of two things at the moment: either really putting their heart into their instruments or faking it really really really well.

Another big departure from the last demo, production quality. The singers aren’t being shafted on vocal tracks this time, and it shows. On So Far, So Good you could hear the rushed recording that accompanied the instruments. This new venture seems like a lot more time went in to this album, inside and outside of the studio. Also, the more prominent use of some sort of click track seems like it’s helping too. On the first album, there were a lot of tiny production errors. Summed together with post-production errors and a rushed recording session, you can see how things could get some what messy despite their best efforts. This new demo is really flourishing in what kind of studio band SOF can be.

The biggest similarities to other bands that come off the top of my head are a local band and one of my favorite bands: You, Me & Iowa and The Get Up Kids. It’s pretty clear if you compare YMI’s latest album, called The Adventures of You, Me & Iowa, and this demo what kind of slot SOF might fall into. As for TGUK, one of my favorite bands ever, something YMI doesn’t have is two singers, like Matt Pryor and Jim Suptic are to TGUK. The big thing that this does for SOF is that diversity in their music won’t just have to come from how they make their music sounds but from the shared singing duties they could potentially utilize.

The five songs on this CD are solid for the most part, but the only thing that is driving me into a “wtf” state is the identity crisis shown on the CD. When I talk about diversity on a CD I don’t mean how many different genres you can cram in before every single radio station can play a song off your newest release. Consistency in the sound is maybe the thing lacking on this album… but that doesn’t take away from the music. It’s still good music. The first song “Out of the Grey” shows off this indie pop side of SOF pretty clearly with the first half of the song. No distorted guitarist, keyboards, a lot of indie pop stuff that the scene is creaming over right now. Then the second half of the song is this heavy jamb from whoknowswhere. Unexpected, yes. Unwarrented? I’m not so sure. But that does set the stage for the rest of the album. The second song “Tail Light at a Distance” is the most throwback to SOF’s older songs. Crunchy with dah-dah-dah’s and singalong choruses written to be sung along to. I’d be pissed if the entire CD sounded like this song, but I’d also be pissed if they shunned what they did so well a year ago. “Good Enough”, the third track, is where we see a singer change. This is a slower jam that some might call the scenester nu-ballad that every single band ends up writing. Complete with sappy-sad lyrics and a volume fade out into the sunset. “Photography” is a song where endless solos aren’t just saved for the live show anymore. It’s got this east coast vibe to it, but after sitting through 5 minutes and 36 seconds of that last song I have to admit I wasn’t really in the mood for another slow jam, despite my love for swing/jazz snare beats. From 3:30 to 4:33 is a cheese filled solo from a decade these kids weren’t born in. Then from 4:33 to 5:19 (which is the end of the song) you have some vocals and soloing over that. Endless. At least until the song itself ended. The only two songs that were similar were “Good Enough” and “Photography”, and knowing Eddie Cuddy I really don’t think he’d like it too much if that was the kind of sound his band produced for a full length CD. As for the last song on the album, “Winter”, this is the shortest and maybe the most New Jersey of all the songs on here. Once again loud and heavy, it’s got this “Cat Scratch Fever” vibe to it that makes you think “are we going down to the shore?”. Not trying to knock it, but to end the CD on that track really seals the deal for the identity crisis, and I don’t mean Thrice’s album (or their current state as a band).

The pros: for each song, awesome solid songs produced and recorded great. Great vocals to boot, which is hard to find from a few high schoolers.

The cons: I’m never a fan of going to a show and being confused as to what the next song will sound like. Some bands can do it, but those bands usually walk a fine line between doing it well and ruining themselves. This line is much finer for a band whose pond is quite small. So the personality disorder is definitely my own personal con to this album. The other con would be two similar sounding slow songs right after each other. There isn’t much room for error in track listing a demo CD, and it seems that if there was an area that lacked anything it was the track listing. The first song has a slow jam to it for the most part, the second song is definitely a pick-me-up to the album. To keep the integrity of the album currently, I might suggest listening to the album in this order: Out of the Grey, Tail Lights at a Distance, Photography, Winter, Good Enough. However, if I were to listen to this CD/decide the tracklisting… I would make Tail Light at a Distance the LAST song on the CD. Maybe it might sound better if it were Out of the Grey, Photography, Winter, Good Enough, and Tail Lights last? Still, two slow jams…. but maybe catching them early is better than leaving two songs that are 5:30 a piece right after each other. Who knows.

Aside from the second half of this review, of me railing the album of it’s faults, I do believe that overall I like it. Out of 5, I’d give it 3.5/5. It might have been higher if there were one or two more songs on this demo, preferably one more fast song and an acoustic song. Also, it would have been a lot lower if the Photography solo was any longer.

This has been tagged for relay. If you want to download this album, I would suggest heading towards the SOF myspace website: www.myspace.com/skiesonfirenj