02nd Nov2011

Live Reviews: Matt Pond PA @ Neumos

by Adam Finley

There are two ways to be heard by friends at a concert: 1) get close, 2) get loud. Decent, respectful people realize that getting close is the better choice as it doesn’t distract the performer or get on the tits of the people around you.

Unfortunately, not all people are decent or respectful.

The Rocky Votolato/Matt Pond PA/Third Band whose name I won’t mention for reasons I’ll explain later began with said Third Band and all 8 of its members filling the not-quite-big-enough stage with a variety of instruments (tuba, upright bass, keyboards, violin, etc.). Except there were 7 of them at first; Upright Bass showed up halfway through the set, like he had better things to do with his time. The band sounded alright. They would pass the “how to pretend you’re Beirut” class with a C-.

Matt Pond took the stage soon after to a healthy crowd and lots of applause and began playing… right as three young women directly behind us, and no farther than 15 feet from the stage, started very loudly talking about the Facebook messages they received that day (no joke, literally showing each other Facebook messages on their smart phones). I ignored them for the first song (an incredible “Closest (Look Out)”), and then during the applause break casually turned to look at them.

I wish I could paint you a picture, or film a recreation in slo-mo, but if you’ll indulge me for a moment, my thought process went something like this: “Okay turn around slowly see who these bitches are alright they look college-age the blonde is kind of cute jesus christ they are loud who is that guy with them the tall guy in the blueish sweater– oh my fuck is that the guy from the first band?

I am 98% certain that it was. That it was Upright Bass. That the dude who showed up late to his own show also brought this pack of inconsiderate jackals and didn’t shush them when a far better act took the stage. I wanted to light his hair on fire and mail it to his mother. I wanted to kick the trashcan over so that their shoes would be soggy with old Red Stripe and vomit for the rest of the show. And I shouldn’t slander all three women; the one on the far right caught my eye and looked apologetic, as though to say “I know this chick is loud, but she’s the alpha female and she knows I cheated on my boyfriend once so I can’t really say anything but please enjoy ‘New Hampshire’, MPPA just started playing it and it’s a really great song”. Which it is. But that’s not the point. The point is that for a musician to allow people to be so rude to fellow musicians– the musicians who gave you the crowd you played to, no less– is incomprehensible.

But I suppose that in my live review of Matt Pond PA I should mention the show. You guys, it was INCREDIBLE. The band was on fire start to finish. MPPA even had a busted leg and hobbled onto/off the stage with crutches and sat in a chair with his leg stuck out in a straight line, and he still rocked the house. He blasted through probably 15 songs with a slight bias toward older material from Emblems and Several Arrows Later, but making plenty of room for new crowd pleasers like “Love To Get Used”. If I had a list of 10 songs I wanted to hear him play that night, he hit every single one. No one could ruin his set; not even some disrespectful jackals with a possible upright bass player in tow.

And that is why I won’t say the band’s name or call this guy out personally because there is a 2% chance that it was someone else. But if that was you, dude, you should be ashamed of yourself. And just so you jackals know: saying “We aren’t that loud” when people give you dirty looks at a show is about as meaningful as Amy Winehouse looking at her bodyguard before bed and saying “I’m not that drunk.”

And no. It is not too soon.

08th May2011

Weekly Digs #27 (5/7/11)

by Adam Finley


Things are popping off around 402 yet again– it’s local music month, our Fantasy Summer Draft is complete, and our fearless leader Nick broke his motherboard so for the moment I think I’m at the helm of this Hellship. Better hold on, folks. For now, enjoy that surprisingly sensual lion above and read up on our music recommendations for the week!

Finley’s Picks

Matt Pond PA - Spring Fools EP

I must be slipping in my old age– a new mpPA and Nick snagged it before me? At least he gave it the same awesome review I would have. “Love To Get Used” has been on repeat for me all week.

The Weeknd – House Of Balloons

Grimy sex music that puts the rest of the R&B world to shame. It’s almost too sexy, ya’ll, can’t even handle it!

The Lonely Island – Turtleneck & Chain

The boys are back, and as entertaining as ever. Check out some Garfield sex music below.

Blake’s Picks

Middle Brother - Middle Brother

Middle Brother consists of the lead singers from Deer Tick, Dawes, and Delta Spirit. The lineup is killer, and the entire album is a lyrical revival from the recently bland indie folk genre. I saw them live a few weeks ago and I felt like a giddy kid.

Nine Inch Nails – Something I Can Never Have (Still)

As a CD-2 to “And All That Could Have Been”, a live album, Trent Reznor compiled “Still” that contains unplugged renditions of a few popular tracks. Definitely pick it up if you can’t take heavy doses of “Pretty Hate Machine” like an industrial badass.

Nick’s Picks

Best of Nintendo Music vol. 1

Sometimes when I have a writer’s block I throw this album on. It jogs the memory for times when I would rage and throw my SNES controller at a giant football container in my room.

Red Sparowes – The Fear is Excruciating but Therein Lies the Answer

It’s been out for about a year now and has become a large mainstay on my playlist, right next to the Vince Guaraldi Trio. I would almost say fans of either would like the other. But I’m a pretty weird dude who listens to an album of Nintendo music from cover to cover. Check out a live version of “A Swarm” below:

03rd May2011

Album Reviews: matt pond PA – Spring Fools

by nickwan

Last year, I didn’t give matt pond PA (aka mpPA) too much praise for their last full length, The Dark Leaves.  The major concern that The Dark Leaves brought up was the fact that mpPA have these amazing lyrics to all of their songs it bugs me that some of their instruments surrounding the lyrics are off-point. And by no means am I a hater of mpPA at all, as these guys have a stronghold on some of my own personal nostalgia when any song off Several Arrows Later comes up.

Spring Fools, their latest EP, is very much the mpPA that should have been brought out on The Dark Leaves. This EP represents a lot more of mpPA than what their last album represented.

Listen to all of it here! You should really listen to “Love To Get Used To”


The Pros

This is the perfect summer time EP. First off, it’s matt pond PA… if you haven’t been introduced to his genius yet, I suggest stalking around the BandCamp a little more. Secondly, THAT FREAKING SONG “Love To Get Used To”. If you need to start off any summer mix tape, that has to be track #1. It’s a homer. From there, the album simmers down. It’s sort of like the beginnings and ends of a barbeque party. Everyone gets to your place initially and it’s totally exciting! Then, as the party tapers off, the mood goes from excited and smiles to slouching into couches and grins.

Another lovely thing is the layering of guitars on these tracks. I never really relate mpPA to a shredder… and in no ways are there endless 80s metal solos on this album… but there are a little more interesting guitar hooks and riffs to get excited over if you are diving into instruments on this album. “Human Beings” has a nice little palm-muted riff that comes in and out of the track (very prominent in the outro). The electric guitar twang is a bit brighter sounding as well, like on “Sugar Bush”. I seem to recall an electric guitar not as bright as this on The Dark Leaves, but I could be wrong. I do enjoy the twangy bright sound, though.

I think this bite-sized portion of mpPA is just the right amount. I don’t know if this album would necessarily be great with a few more songs attached on, since the beginning of The Dark Leaves was also great but then was tainted by the second half of the album. I have all the willingness to want to keep replaying this album again and again, whereas with The Dark Leaves that handful of times was enough for me.

The Cons

The track “Spring Fawn” was a little too campfire-y for me. The peppercorn-sounding shaker, the djembe-as-a-bass-drum, the tambourine-as-a-snare… kind of corny for my likings. The electric lead that comes over it is sometimes a bit too much… I really get confused as to whether this song is supposed to sound busy on purpose or if it’s supposed to be more intimate. I think I would have liked it better either all electric with an actual drum kit or completely acoustic with more vocal layers than that electric guitar lead.

The Verdict

Get your music device out now. Pay the man his $5. Import it on to your device. Never leave home without your headphones. This is one of those rare EPs that come along that you might forget or overlook in your library but are totally mesmerized by when these songs come on. If you obsess over it like I sort of have this past weekend, it might just be your jam for the summer. You start murmuring those lyrics to yourself or humming that familiar guitar riff to yourself and you try to figure out what the hell you’re singing. Then you realize it’s Spring Fools. And a few hours later, you realize you haven’t listened to anything else. It’s that good.

19th Apr2010

NW Reviews: matt pond PA – The Dark Leaves

by nickwan

Maybe one of the more overlooked bands of the past decade, Matt Pond and his group is kind of like Ben Folds of the indie scene. Some might remember this guy from shows where he was the supporting act for some other headlining band. Some might remember one of their last seven albums, six of which were released in the past decade. I last heard of these guys after seeing them play with Straylight Run years ago. I bought their album Several Arrows Later and loved the sound. And now?

matt pond PA has this lovely lyrical being to the music. Sometimes, throughout this new album, Mr. Pond totally sells me his stories. I am in there experiencing what he is. There is nothing simplistic about the way he’s talking about very simple things: girls, love, sex, etc. But since the last time I heard matt pond PA, I asked myself whether or not this album is exceeding my expectations. And I don’t know if it has. It has wowed me with words. But I really am off with the music, maybe?

Lyrically, you know by now, it’s grand. I won’t continue on about the lyrics, so just listen to them. For a current music vibe, this album harps upon exactly what is out there right now. This usually is a con, but matt pond PA doesn’t seem to have made many strides towards a different sound outside of their own… and they’ve been around since 1998… so here we are twelve years later and his sound is still current for the scene. In that is a pro all on it’s own.

What’s different between matt pond PA that I knew back in 2005? Not much. And that’s not just me. Typing in “matt pond PA” into YouTube comes up with a lot more hits for their songs off their seemingly-most popular album Several Arrows Later. That’s not to say YouTube is a credible source… but matt pond PA isn’t putting all those songs and videos from their five year old album on one of the most popular sites in the world. Fans are. And fans love that album. But what has matt pond PA accomplished with this new album? More of the same. And even less of the same. Back in 2005, with their other album, they never road along in someone else’s bandwagon. This new album seems to dive into some of the stale-indie folk rhythms for songs, making an ill taste in my mouth since this band could probably do a zillion times better than what they’ve put out this new year. There are flashes of brilliance musically, with songs like “Running Wild” and “Brooklyn Fawn”, but are sometimes cancelled out by the cheap vibe of “Specks” and “Sparrows”. Here’s a football analogy: Peyton Manning had two rookie wide receivers in Austin Collie and Pierre Garcon. Absolutely none of his offensive linemen were first round draft choices. So, Peyton Manning is basically what took the Colts to the Super Bowl. Without him, and we all saw the games they lost when he wasn’t playing, they lacked production. That’s a lot like matt pond PA. Lyrically, this album soars. Everything surrounding the lyrics and vocals is just second place. Without the lyrics and vocals, this band’s music would be lacking heavily. Although, vocals do have a premium on casual listeners (much like the quarterback of a Super Bowl team), the supporting cast of music and arrangement should at least make an attempt to match the genius of it’s vocal counterpart.

People who would like this: people who live in Brooklyn. Others who would like this: die-hard mpPA fans.

As “The Dark Leaves Theme” from this album chants… it kills me to admit that this is a bad album. I swear it started out strong  and begged a potential breakthrough yet again. But lyrically was the hull and lacking of musical creativity half way through the album was the iceberg. I won’t say mpPA is sinking, because they haven’t really done much to be considered a “bad” band… but I won’t say they are making any positive strides with this album. More of the same of what is out there, and less of the same matt pond PA that I heard five years ago. This album is worth the listen for the lyrics… but for everything else?