You, Me & Iowa – Aquarium
The most underrated, overlooked, unappreciated band of… all time? Well, definitely of the local Los Angeles scene. And maybe of California. These guys went the past nine years undiscovered and it seems to have taken it’s toll on the band since they have now called it quits, playing their final show last week at their favorite venue Spaceland in LA, along with releasing their (final) album Aquarium at said show. You can actually get it for free off their site at the moment. Now, after a quick moment for mourning, relapse, and more mourning, here is my review of their album.
First off, I would like to say that this album is leaps and bounds above their last release, The Adventures of…, in many ways. This album is longer, ten songs, and it also is honing in on a certain type of sound. It seems as if YMI perfected the blend of progressive rock, pop, indie, and fused very technical guitar melodies with very catchy vocal melodies. Since their inception with their first songs being a mashed bowl of progressive rock and indie pop, YMI has made a very strong effort towards perfecting the sound they produce. I very much thought they reached that pinnacle with their last album, but Aquarium is really filling the subtle voids that Adventures missed.
As far as song writing goes, they haven’t changed much. The formula, if I could put a very very loose one on to them, is to have some sort of great hook surrounded by intricately composed music to soften the pop vibe. They do much of that with every song. But something that has changed in my own perception is the tightness. Don’t get me wrong, the band was very tight to begin with. There was one point when I was at a show of their’s and some song one of the guitarists were playing not on every other beat but the beats between every other beat. Execution at it’s finest, indeed. With this album, it’s sounding even better executed. Previously, I would hone in on the guitars or the bass or the drums or the keys or whatever was drawing my attention. This album is doing a great job as taking all of the members and using them as one giant weapon, rather than their previous works and showcasing everyone’s ability.
Another major upgrade on this album is that they really set out to make a studio album. This might sound funny, but a lot of bands try to incorporate their live aspects into their studio albums. This, usually, fails and makes the album sink at times. YMI had this problem last album. On their last track there was this great rock out jam, but after the first two hours of hearing maracas and tambourines I really got tired of it. Save the rock out jam sessions for the stage. Something they did score on was when they cut one of the outros short. Live, the outro was played four times more than on the album. This led to more rocking out and a very happy audience. On Aquarium, they have cut back on extended weird jams with the exception of the title track’s 25 second outro… but that’s no where near the endlessness I have been describing. I’m talking when bands shove in endless solos or ridiculous intros or sometimes just silence or white noise. What’s the purpose? Unless it’s some pseudo-build up I’m missing out on (The Mars Volta does the silent build up a lot) there’s no need for this unnecessary crap in your albums.
Overall, Aquarium is by far the best thing YMI has put out. And it’s a real shame that they have called it quits. This album, although a high note on the resume of YMI, should have seen a promotion tour so all their west coast fans could enjoy their last moments at a live show, where YMI really excels. Although it’s the rage to reunite old bands this year (Sunny Day, The Get Up Kids, Blink 182), it’s looking like the band is splitting up for good. Maybe somewhere down the road YMI plays a one off show somewhere. I would like to say I’d be there, but I really don’t think it’s going to happen any time soon.
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