29th Mar2010

An Interview: Efterklang

by nickwan

Efterklang is on tour in the US right now in support of their newest album Magic Chairs. Shahin Kalantari and crew caught up with them at the San Francisco show at Bottom of the Hill. Check out the video interview below (it’s in two parts). If not video-savvy, read the transcript!


Shahin Kalantari: First thing is first: I’m going to say something and tell me how you react to this. “Rødgrød med fløde”?

Casper Clausen: (laughs) Pretty good.

SK: (laughs) Pretty good?

Rasmus Stolberg: (laughs) Pretty solid!

SK: Alright, how do I say this?

CC: It’s a classic trick sentence in Danish. So it’s pronounced “rødgrød med fløde”, if you pronounce it right.

SK: So, one more time?

CC: Rød

SK: Rød…

CC: The hard this about Danish is the “r”s and soft “e”s. So the “r”s are with the throat.

SK: Rød…

CC: It’s hard (smiles)

SK: Yes!

CC: But the “d” is easier. That’s like a “th-”. Like when you say “the”.

SK: Well I just wanted to ask, you know.

CC: Classic.

SK: It’s your third time here, what are you expecting out of this tour that was different from last tour? With the new album?

RS: Yes, we have a new album out. It’s a new experience because when we did Parades we toured over here [in the US] seven months after the release. Maybe more; maybe eight months after the release? The record [Magic Chairs] just came out when we started this tour so it’s all new and interesting to play the new songs for the first time.

SK: How is the audience receiving the new songs?

RS: They seem to like it.

SK: How about you guys? It’s the first time to play these songs right after the release of the record to play it live.

CC: Yeah, we played a lot of the songs last year on tour. The idea behind Magic Chairs was to be able to play the songs before we got to the studio, so we took six to eight songs with us last year on the US tour and just tried to play them live and try different things with them. And a lot of those songs ended up on the record. We’re ending up playing a little over half of the album, plus the b-sides and things like that. So it’s like the songs we’ve been playing in 2009 and songs we haven’t played yet.

SK: So where do you guys see yourselves after this? Do you have anything in the works right now?

RS: No, it’s mainly just touring. Maybe we’ll start talking about it later, but then someone will say, “let’s wait for that.” Right now, the main focus is [touring]. We have a long tour ahead. the US tour is about to end and then we’ll tour Europe until about end of May. So maybe on the other side of the Summer we’ll have plans.

SK: What about Rumraket? How does that play in when you guys are touring and recording?

RS: It’s working really well. It’s becoming more and more about what are label is. It’s becoming more “our” base. Right now we don’t have other releases. Because if we release another band, then I do a lot of things around that. Luckily there’s no other band producing a record right now. So all we’re doing is Efterklang and touring and things. So that makes it easier. And it works very nice because the record label is such a small territory so the people who put out records and people who help us promote it are close friends and collaborators. So we usually don’t have to worry about it because they take care of it.

SK: So have you toured with any of them [Rumraket bands]?

RS: Usually when we bring a support band it’s either one of the live band members’ side project or one of the Rumraket bands. This tour it was suppose to be a completely different band called Balmorhea but they had to cancel due to family matters so it’s all local bands this time around.

SK: How has it been with the local bands?

CC: It’s been great. I mean, you never really know. It’s always a surprise. There’s been some good acts. We were last in Portland where Heather, that’s her hometown. So she put together a good program with Helios and Dragging an Ox. So that was really cool. So there are the good things and also not so good things. (Enter guy stocking beer)

SK: So I heard that one of you or two of you are classically trained?

CC: That’s not true. (laughs)

RS: Where do you hear those… lies! (laughs)

CC: No, that’s not true. The only music educated member of Efterklang is Rasmus and he’s “classically” trained in music management.

SK: So how is it being classically trained as a music manager?

RS: I don’t really know (laughs). I just have a bachelor’s degree.  And it’s nice because I do the management for Efterklang and I run the record label too so I can use all those things for that. So it’s nice but it’s hard because I was doing Efterklang before I got into that school so I was in school doing it and doing this. But it’s really nice because I have a piece of paper that says I’m good at something.

CC: We have a school teacher. He’s an educated school teacher. Mads and I, we’ve been working and doing music. So we’re educated in Efterklang!

RS: It’s a very basic education but we take in new students every year.

SK: Nice! Where do you sign up?

CC: You can sign up at Efterklang.net

RS: Just send us an email and tell us how much money you got

CC: You have to put away at least ten years of your life.

SK: How about playing with the Danish National Orchestra? That was real?

CC: (laughs) Yeah, that is true. It’s documented on an album, so it’s for sure true. It was a project we did in 2008. It was both incredibly amazing and… hearing an orchestra yourself but then hearing your own music is an amazing experience but it’s also a logistical nightmare.

SK: Is it the transposing the songs for all the instruments?

RS: Just everything. Planning when to rehearse, how to rehearse, how long, and what to play. When you’re on stage with 50 other people playing your own music, it’s an unbelievable experience. It’s like a one hour long masturbation. It’s a pretty good feeling (laughs).

Nick Wan: One more question Shane.

RS: It better be good!

SK: Well, yes… global warming….

RS: (laughs) I actually bought a thermos. And in two days I’ve saved five cups of coffee on the road. In a couple of years of touring, it’ll be a whole forest!

SK: Well, thank you. This is usually my last question. If at any time you need a back up assistant triangle player or a back up dancer to your music video

CC: Would we consider you?

RS: Is that the question?

SK: Yes, if you would consider me.

CC: We can definitely consider you.

RS: You would have to sign up for that education…

SK: That’s right, ten years.

And as a bonus, here’s a video from this show of Efterklang performing “Modern Drift” off of their newest album Magic Chairs


22nd Mar2010

An Interview: Red Sparowes

by nickwan

Red Sparowes

About to hit the road in support of their newest album, Red Sparowes are amped to release their best work yet. Although, many questions do arise in terms of new works: how was it written? How will it be live? And the most important question to many fans, when is the next album after the April 6th release of The Fear is Excruciating, But Therein Lies the Answer? Bassist Greg Burns of Red Sparowes helps us answer these questions and more.

—–

Nick Wan: Aphorisms does have the song entitled, “The Fear is Excruciating, But Therein Lies the Answer”, which is the name of the upcoming album. Was this always intended? Did the song come before the album, or was the album themed after the ideas of the song?

Greg Burns: The song came first and was part of what spawned the concept for the album. The Aphorisms E.P. was written as three distinct pieces and we liked the idea of taking the last song and using it as a transition into the full length.

NW: What are some differences between The Fear is Excruciating, But Therein Lies the Answer and Every Red Heart Shines Toward the Red Sun? Was the production, writing process, conceptualization, or anything else any different from how you approached creating The Fear is Excruciating?

GB: There are a lot of differences.  We had a bigger budget for the The Fear… and had the previous experience of working with Toshi Kasai on Aphorisms, so we were able to get a lot done in a relatively small amount of time.  The Fear… was also recorded using Pro-Tools, as opposed to 2″ tape with Tim Green.  While I love what Tim did with Every Red Heart…, it was nice to work digitally and really experiment with sonic layers in ways we couldn’t really do before. We also had a new approach to song writing which, while always democratic, took a much needed turn in terms of scope.  With the lineup change we really focused on writing songs that we were excited by, and not so much what we thought people might want or expect from us.

NW: How many songs did Red Sparowes have going into the studio to record The Fear is Excruciating…? Of course, only eight of those songs made the album. But for the other tracks, will they ever be released in some form? Maybe re-written for the next record?

GB: We recorded 9 and a half songs.  The 9th song will definitely be used in the future, probably for a split or a compilation.  The other half song will be added to a list of unfinished songs that may or may not make the cut.

NW: With the addition of Emma Rundle (guitar) to the band, what does she bring that is different than what Josh Graham (former guitar) brought to the band? Between the release of Aphorisms to the recording of The Fear is Excruciating…, how much of a role did Emma have in the song writing process?

GB: Emma definitely has a different musical voice, but one that is much more consistent with the direction we’ve been wanting to go.  She’s extremely talented and, perhaps most importantly, very open to experimenting and trying new things.  Before Emma was in the band things felt very limited in terms of scope.  Obviously her personality is very different too.  Emma is a pleasure to work with and is very patient and fun to be around.  Having her in the band has changed the dynamic in many ways, and I think it’s safe to say we’re all feeling reinvigorated.

NW: We grew up here around the Bay Area, so Neurosis isn’t a stranger to us. This new album, we’re all seeing a change from your old record label Neurot Recordings (founded by members of Neurosis, amongst others) to Sargent House. What was the motivation(s) behind the change in label?

GB: After meeting Cathy at Sargent House I was really interested in her approach to running a label.  It’s not so much a label as a company that encompasses many more aspects to putting out a record.  SH hasn’t been at all afraid to take chances and has a really fresh and relevant approach to running a label in the current environment.  At first she just worked with us as our manager, but after seeing her incredible work ethic and dedication, as well as getting a better understanding into how Sargent House works, we were excited to be a part of that.

NW: There is some pretty intricate layering of instruments on this new album. After recording an album like The Fear is Excruciating…, how hard is it to imagine the studio version of a song being played live? Are there any adjustments as far as personnel or instrumentation is concerned when trying to perform these tracks live, or are you all just awesome enough to make it sound as if your live show is a doppelganger of your studio recordings?

GB: Actually there really weren’t that many layers of instrumentation added.  Sure, we doubled some tracks and played around a bit, but these songs live will definitely be an accurate representation of the studio versions.  In the past, our live shows have always been heavier; having not played these songs live much it’s hard to say, but I’d imagine the dynamics might change a bit – but not in a major way.

We also always try to leave room for some variation and improvisation in our live set, so it’s safe to say we’ll be taking some creative liberties, but that’s more to keep things fresh and interesting, and doesn’t come out of any inability to play the songs as they were recorded.

So, yeah.  We’re that awesome.

NW: After listening to the new album a few times I can imagine some of these songs, like “Giving Birth to Imagined Saviors”, to be pretty epic to witness live. What live elements will Red Sparowes introduce with their songs to make the live show more of an experience?

GB: We’ll definitely have projections, as we always have.  I’m excited to say that the projections definitely tie into the songs more; we really wanted the visuals as well as the artwork for the album to help express our own interpretation of the songs and related concept.

NW: The album is set to release in April and Red Sparowes is dated to tour for over a month straight starting at the end of March. How much more touring will there be this coming Summer? Any festival plans?

GB: We’re definitely going to Europe in the Fall, and hopefully Japan and Australia.  That’s as far as we’ve planned currently, although I’d imagine we’ll do the US again early next year and start playing festivals in the US and Europe.

NW: What bands out there right now do you believe will be getting more attention this year? What are some new albums Red Sparowes have been listening to as of late?

GB: As far as some newer bands; AA Bondy, Fang Island – I’m really excited to be touring with them in April.  I love that recent Karen O and the Kids soundtrack for “Where the Wild Things Are”.  I haven’t been paying that much attention lately; I’ve kind of immersed myself in old country as I’ve started to study traditional pedal steel guitar.

NW: I know that this new album is still in its infancy (technically unborn until April 6th), but your last full length album came out in 2006. Will Red Sparowes fans have to wait another four years for another full length?

GB: Definitely not.  We’re already working on songs for a new record and it won’t be long until we’re in the studio again!

—–

Red Sparowes’ album, The Fear is Excruciating, But Therein Lies the Answer, is out April 6th. You can check out Red Sparowes at their website, their MySpace, or their Twitter. Also, don’t be afraid to check out the other Sargent House bands via their website or their tweets as well. And last but not least, you can always check out 402 Productions on Twitter for news, reviews, and whatnot.

11th Mar2010

NW Reviews: Podcast #7

by nickwan

[powerpress]NWReviews-07-March11th.mp3[/powerpress]

Check us out on iTunes, yo. (Opens in a new window, and then opens iTunes.)

In this: News, Fang Island interview, Red Sparowes, Local Natives, This is Our Fight, and jj

Errors: I think I mistake This is Our Fight’s song “Easy AM” for the song “Across the Sky”.

Music by:

Alvin Pingol

Angels and Airwaves

Ceremony

Minus the Bear

The Fall of Troy

The Pixies

Fang Island

Red Sparowes

Local Natives

This is Our Fight

jj

The xx

28th Feb2010

Productive at 402 Productions: Craigslist Competition

by nickwan

Ryan "Tambo" Tamborski (left), Erik Schau (cntr), and Nick Wan (right)

I’ve realized that there is not a lot of “other” articles on this site other than music reviews. So, to lighten the mood, I’ll show you some things the fellows of 402 Productions do from time to time, since we are all busy bees.

Ryan Tamborski and I met somehow… I don’t know when or where, nor do I recall any stories from “The Early 402″ days. And even if I did, I wouldn’t tell them. But because of this, folklore seems to be our best bet as to how we met. I know it has to do with me talking like a little girl and him jumping on my car’s hood and leaving a dent the size of a 6’7″ man, but much else is lost in this frizzled memory. In the end, Tambo and I have tried our best to keep ourselves occupied with various little-girl-voice-plus-large-man-body type things.

Although music is what we do mostly, our spare time is usually used to either: 1) write songs we end up forgetting 2) write scripts we never end up shooting and 3) being awesome. What might be included in being awesome?

A few nights ago, Tambo had some tickets to go to a basketball game. Of course, tickets is a plural, implying he had a ticket for himself and someone else. Sadly, since Tambo scares everyone he meets, he had no one to go with. After many hours (maybe just one hour) trying to find him a person to go with (we tried really hard, no joke) Tambo ended up giving up on his efforts. During this time, he posted an initial Craigslist ad for someone to go with… but to no avail. The ad itself was posted under “missed connections”. If you haven’t been entertained enough today, you should probably go and read some missed connections. Here’s a picture of Tambo’s hopeless effort (click to enlarge any pic):

Now, you may be thinking, “damn, I would have totally gone with him!” at this point. If so, shame on you for not parusing missed connections in the LA area. This ad, by the way, got him a total of ZERO replies. Anyway, Tambo’s failure, as well as our collective failures of trying to get him a date of some sort, left us to question whether anyone would ever reply to our craigslist ads. And so, the challenge was born. I would make his personal ad and he would make mine and the person who got to best emails wins. Simple enough. Here are both of our emails:

Tambo's ad created by me, Nick Wan

Nick Wan's ad created by Tambo

Now, you are definitely thinking to yourself, “no way in hell will either of these idiots will get any responses!” but rest assured… we did. For the ad I created for Tambo, he aquired 13 responses, the majority of them being fake people (like robots or spam), hookers, or guys (??????? this is the m4w forum). As for myself, Tambo forwarded me all my emails he receieve and I got 6 responses, most being fake as well. But within the mess of emails, there were some actual people replying back. For Tambo’s ad that he did for me, here are some quotes:

well you’ve succeeded in making me laugh at 3am.

I’m 37, a RN by profession. I just recently moved to SF bay area, originally from Calgary, Canada…

I liked your ad, it made me laugh. You got a facebook? If so, ad me: [censored email] and we’ll go from there.
Cheers

So, I had a good amount of real responses some how. I don’t know how, but I did I guess. Now, Tambo thinks I won… but I honestly believe he won because of the following:

heya…saw your ad..
tell me more about you.. also send me some pics and i’ll send you some.

Gold star my friend, you got me to giggle, and for a brief moment, realize that there are somewhat normal/smart people on the ol Craigs(shit)list
-Nina

Are u really the coolest guy everrrr lets  see whats your major at UCLA? lol

but the cream of the crop was a chick who sent us some nude pics of her. Of course, I can’t really show that… but she definitely showed it up. And so, since Tambo got porn from some random chick based off of my ad about chess teams and pokemon, Tambo won it.

So, in our spare time… we do things like this. There are a ton of other things we do that are already recorded and just need some commentary to go along with it or things we are doing and we just need to do them to write about them. I’ll try to make these types of posts here and there, so check back often.

10th Feb2010

NW Reviews: Podcast #4

by nickwan

[powerpress]http://www.402productions.com/podcasts/NWReviews-04-February10th.mp3[/powerpress]

Lion King + Large Hadron Collider = ???

In this episode: Girl troubles, Dashboard Confessional + New Found Glory, Bettie Serveert, The Magic Theatre, Shane Kalantari guest call, next week’s three albums chosen by Shane.

Errors: I forgot what band did the album The ’59 Sound. It’s The Gaslight Anthem. Also, I kept calling “Efterklangs” by the name “Efterklang”, with no “s”. “S”orry bros. Another error, this one is just in my life, I usually don’t say bro as much as I did this time around. So… sorry for that?

Music featured:

Erik Schau – Most of All

New Found Glory – Swiss Army Romance

Dashboard Confessional – Better Off Dead

Bettie Serveert – Deny All

DESA – Delilah

The Gaslight Anthem – The ’59 Sound

Titus Andronicus – No Future Part Three: Escape From The Future

fun. – Be Calm

Say Anything – Less Cute

Forgive Durden – Genesis

The Magic Theatre – Steamroller

You, Me & Iowa – Margaret Mourning