08th Dec2009

Dufus Does an Interview: Rachael Cantu

by Dufus LeQuack

I recently had the opportunity to interview Rachael Cantu. She was kind enough to give a taste of her experiences thus far in the music industry, inspirations behind her newest album Far and Wide (check out NW’s review here), and her feelings towards flapjacks and pancakes.

Let’s talk about Far and wide: creative process, production experience, feelings about the final product, the typical questions fans are gripping to hear.

“Far and Wide” was quite a long process for me.  Between my last release “Run All Night” in 2006 and this release in 2009, there happened to be a lot of not-fun “business” type things that got in the way.  But, that was meant to be because I was forced to learn a lot about the business side of the music industry and that’s very important to know if you want to have a career in music.  I was lucky enough to be pointed in the direction of the fabulous producer, Futcher, in Vancouver, Canada.  He was fabulous to work with, knew some very talented musicians, worked really hard and made the recording process such an amazing experience for all involved.  We only had 5 days to get the core of the record down, and we did it.  That was an amazing feeling.  I’m so honored to have some wonderful people involved in the making of and final product of this record, and I’m extremely happy with the final product and can’t wait for everyone to hear it!

What aspects of your music do you consider unique in reference to the barrage of indie singer-song writers?

I don’t think I’m a typical singer/songwriter.   I honestly can’t put my finger on why.  I am constantly met with comments such as this: “I don’t normally like girl with guitar kind of music, but I really like your stuff.”  I try not to demystify that too much and just do what I do.  It’s a good feeling when I can change someone’s preconception about me.

Craziness of the industry, go:

The only real craziness I can think of is the big business aspect of the industry.  The control that these big labels have over their artists just seems…weird to me.  That’s craziness.  As long as you can stay away from that, it’s a fun business to be in.  I’ve done some pretty incredible things through music, lived out some dreams, made my parents proud, and I kind of owe that to the industry.  Like any industry, there are big wigs and people that make the industry seem crazy, but there are ways around that.

Have you begun thinking of, maybe even started writing ideas or songs for a new album?

I’m so immersed in the release of this album right now that I haven’t really had time to focus on writing.  I’ll get there eventually.  I’m not so worried about that right now.

Let’s get some inside info on Ms. Cantu? Jobs growing up; stories that have inspired songs; do you believe in the boogie-man?

My first job was at the Sweet Factory (the candy store).  That job was so much fun until we got a new boss that was just…crazy!  She  had red hair and would wear all orange (from head to toe), toenails painted orange and all. Once she implemented a “if you’re good, you get a star” system, as if we were in kindergarden, that’s when my friends and I quit.  Not worth it.  I’ve been a camp counselor, a waitress, a barista, worked in commercials, spent many years working in record stores (it was like living a real life “High Fidelity”), etc, etc, etc.  I’ve done many odd jobs and enjoyed most of them in one way or another.  I learned a lot from each job.  The hard work and experience is good for the soul.

Any words of inspiration to the hopeful musicians trying to break into the scene?

School yourself.  Don’t give up. Take each hard time as a lesson.  Learn from it.  Listen to advice. Listen to criticism.  It doesn’t happen over night and be thankful for that.  If things happened overnight, you wouldn’t know how to protect yourself or point yourself in the right direction.  Take the time in between to learn and ENJOY THE JOURNEY.  

Got any touring plans for 2010, what about 2012? If you are planning to tour in 2012, what precautions are you going to take to secure the awesomeness of your concert?

I’ll be in Texas, Alabama, Tennessee, Ohio, and Illinois in the beginning of 2010.  I’m very excited to start the year off with a great tour to some places I have never been, or haven’t been back to in years.  And I expect there to be many tours after that!

Are you more of a “flapjack” or a “pancake” person?

I don’t know if I have ever had a flapjack.  So, by default I am a pancake person. I rarely have them, but they are delicious.

Christmas is coming up, any big plans?

All of a sudden, everyone I know is having some sort of holiday party.  I’m looking forward to every single one of those.  I always spend Christmas day with my family.  They are wonderful, warm, loving people.  I’m lucky to have them and very thankful for all of them.

What are the sounds Ms. Cantu is currently enjoying?

I’m loving the Karen O and the Kids soundtrack to “Where the Wild Things Are”.  The version they do of Daniel Johnston’s, “Worried Shoes”, just kills me.  It’s so sweet!  Beautifully done.

Who do you think is changing to the game (which we both just lost) in the music scene?

I don’t think anyone has lost the game.  Sure, it’s changing, but I think it’s a good thing.  The power is being taken away from the controlling labels and put back into the hands of the artist.  Metric is a good example.  They are doing things independently and really showing how possible it is.

Finally, can I be your back up assistant electric triangle player?  If yes, well you have my info. If not, can I be a dancer in your videos?

(no response)

Dufus

edit: Shahin “Dufus” Kalantari is one of the four-ish writers for 402 Reviews now. He’ll mainly be doing interviews. Looks like we got a team together with Adam on music/design articles, myself on music/music equipment articles (as well as the 402 Productions’ studio updates), Carla on live show reviews (not so many now, as she has a real job :/) and Dufus himself. Wee! -nw

19th Nov2009

NW Reviews: Rachael Cantu – Far and Wide

by nickwan

After a day or so, the lovely Rachael Cantu ended up sending me a copy of her album for reviewing! What a sweetheart. So thanks to her for that.

On to business: how does someone like Rachael not get picked up by some label yet? Her touring history consists of some legends (BB King just this past October) as well as some more big name indie acts (e.g. Tegan & Sara). Her music is right in the mix of the evolving singer-songwriter scene. It seems that her persistence is paying off as she makes new strides with her newest album Far and Wide.

This new album unleashes a sweet blend between that broken down acoustic-y bedroom sound and that full band acoustic rock vibe. Maybe some comparisons would be drawn as the female version of someone like Kevin Devine or Bon Iver. Rachael’s album is on par with Kevin Devine’s release of Put Your Ghost to Rest blending together many similar elements. The element that varies the most is the amount of more indie-pop in Rachael’s latest album and the amount of more folky-punk on Kevin’s PYGTR… but this isn’t a comparison of what is what. This is a review!

The album starts off with the familiar tune “Devil’s Thunder”, previously heard on Rachael’s EP release earlier this year. The song itself was used on ABC’s show Private Practice, but sadly didn’t turn up field into a radio smash. The tune itself sets the stage for something along the lines of a darker album, something maybe more menacing or wreckoning. However, by track two, the album itself changes directions back to the more feel-good hits of the winter. The entire album is very consistent, never entering a perilous two-faced nature that some of these singer-songwriters tend to attract. Some strong tracks off the album are “Thieves and their Hands”, “Blue House Baby”, and “Make a Name for Me and You”.

Rachael Cantu – Theives and their Hands

Rachael Cantu – Devil’s Thunder

pros

This album is the female answer to a scene filled with so many male artists. It seems that the only way girls can make it in this scene are if they are supported by a band some how. You have all heard about Paramore, Metric, and Rilo Kiley, but what about artists like Joanna Newsom and Rachael Cantu? Where is their piece of the scene pie? Also, This album is very clean and crisp in production quality, unlike Real Estate’s car crash of a post-production mix. Also, Rachael doesn’t shy away from her strengths. The strong stance of guitar and vocals in each song defines what Rachael Cantu is all about.

cons

After “Devil’s Thunder” I was amped to hear the rest of the album in the same vein as this kind of slow, dark theme. Rather, the album flips to some more pop type song structures and leaves the sort of post-rock (post-acoustic I guess?) set up that “Devil’s Thunder” ran with. That’s not necessarily a bad thing, since the album itself does stay true to the acoustic-indie-pop identity, but I felt set up for something along the lines of For Emma, Forever Ago.

But. Where does this rank between albums like David Bazan’s, Owen’s, and Kevin Devine’s? Lyrically, probably more punch than Kevin’s Brother’s Blood. With that, it’s worthy enough to be considered… but topping Bazan? We’ll see.

goodalbumalbumoftheyearnominee