25th Jul2011

Album Reviews: Sister City – Carbon Footprint

by remy

Sister City - Carbon Footprint
It has been a good long time since I was a pop punker. Years since the last time I attended my once annual tradition of The Warped Tour. I shaved off my last Mohawk the better part of a decade ago, and these days all of my skateboarding is done almost exclusively for the utilitarian benefit of wheeled travel. But for this review I have an album slid across my digital desk that immediately brings me back into the middle of a crowd trying to get a leg up in hopes that I can crowd surf my way close enough to the stage for a bitchin’ dive into a sea of supportive hands. Sister City’s Carbon Footprint is the modern day soundtrack to my teenage years, but how well does that stand up to the year since I’ve started exploring a broader base of genres?

Check out the album below!



The Pros:

What I first noticed while listening to this album (after the Say Anything-esque spoken-word lo-fi intro) is the literary writing style. Sister City don’t give the impression that they fight their words into the songs, but instead write out a thought and find a way of singing it. They do this well, and offer a melodic and catchy style of lyrics written around an idea and adjusted to fit within the song.

The drums stand out to me as being used as an instrument and not just as a time piece. Daniel Abzug (drummer) is definitely doing his part to keep the momentum running through the songs. He’s definitely doing his work to keep any of the riffs from stagnating.

The Cons:

While the content of the lyrics is solid the delivery leaves something to be desired. The vocals frequently bring too much of the nasal, sarcastic tone that spawns most of the critical commentary of the genre. This style of singing can be used appropriately but is entirely too common on this album.

The Verdict:

This album is solid but leaves me wanting more. There is nothing wrong with the album (except, I suppose, the Cons mentioned above) but I get the feeling that this duo has more to offer. I hear in them the ability to develop, and really hope they do. They have a style about them and I hope they allow it to develop. Maybe it’s the band bio shout outs to Against Me! (the old stuff, of course) or a persistent DIY spirit, but I feel like this album is just a teaser of what will come.

That said, this album holds its own and deserves a listen. If you’ve got a soft spot of bands like Midtown, Taking Back Sunday, or The Academy Is you’d do to head over to http://sistercity.bandcamp.com/ and have a listen and maybe a download. I know that the next time I’m cruising around on a summer day (which could be at any point here) I can see myself putting on this album and some sun glasses and throwing destinations to the wind so I can focus on enjoying the journey.

24th Jan2011

Album Reviews: Taking Back Sunday – Tell All Your Friends

by nickwan

Back in high school there were only a handful of ways new music was found. The main one for me was either going to shows (a lot of shows) and buying albums or going to Amoeba Music and going through, aisle by aisle, looking for which record labels were associated with what artists and buying mass amounts of albums at a time. Both ways were fairly effective for me, but the third and least common way for me to get music was via the recommendations right on the album from the PR folks of whatever label was putting out the album. Case and point: Taking Back Sunday. I believe the sticker said something like If you like Thursday and Dashboard Confessional. Back in high school, all my friends were into Thursday and Dashboard Confessional. So, I purchased this, and lo, the flood gates of another musical realm opened up to me.

In some weird family tree, the obvious other band that was related to TBS when I started listening to this album was Brand New. Then, a few years later, Straylight Run. From those two I ended up getting into Kevin Devine and Manchester Orchestra. Then after that, I got into those artist’s influences, like Built to Spill and (to some weird extent) Joanna Newsom. Of course, going to all of these artist’s shows and seeing who opened for them brought about another flood of music… but I would say it all stemmed from this single purchase.

Duh. Listen.

The Pros

In general, just about every song was some sort of angsty anthem. Regardless of how many songs were in the same key or how many songs had almost the same chord progressions, this album lyrically killed it. The actual lyrical content may have been, ahem, “like high school poetry” at times but what really flourished was the vocal arrangement. Remember, this was 2002 when I picked this album up. At this point, there weren’t too many bands trying to pull off the “this can be sung by one person, but we do it with two” kind of vocal arrangement. Overall, it worked fairly efficiently.

The Cons

At times, there is a radio frequency that comes in usually right before some sort of filtered vocal track. You might not be able to hear it on the video below for various reasons: 1) quality isn’t high… might want to bust out that album and seek it out yourself or 2) the older you are, the harder it might be to actually hear the noise. It’s really akin to what old TVs sounded like when they let off that high-frequency hum. If the video doesn’t automatically buffer at 2:00, fast forward to 2:00 — after Shaun’s bass line comes in Adam and there is a high-frequency hiss. This is one of many times this happens on the album.

Another smaller con, that I personally don’t believe is much of a con, is the drum mixing. The cymbals sound really canny and are often times clipping to the point where they just sound as if you took a poster sheet and shook it to make it sound like thunder. So much for purchasing $300 cymbals. Save yourself $299 and just go to the craft store. What makes this a smaller con than usual is that during this time, heavily filtered drums were a particular style of production for this type of music. Although not the best example (since it’s the same producer), Thursday’s Full Collapse also exhibits heavily filtered drums.

The Verdict

I’d be surprised if any of this week’s albums had a bad album verdict. It’s high school throw back week!


22nd Jan2011

Weekly Digs #15 – High School Throwback Edition (1/22/11)

by Adam Finley

We’ve got a very special week coming up on 402 Reviews where our writers put their back-in-the-day hats on and review albums that they loved in high school. For some of us, that was just a couple of years ago. For others, it was frightfully close to 10. But since we all loved way more music in high school than we could ever review, we’ve decided to start the trip down memory lane here.

Nate’s Picks

Minus the Bear – Menos el Oso

This was always my favorite MTB album, but nobody that I showed it to ever understood what I saw in it.

Madvillian – Madvilliany

Probably my favorite hip hop album of all time. My friends always cranked it in our cars.

Jeff Buckley – Grace

Once I head his “Hallelujah” cover, I was pretty much hooked. (get hooked below.)

Finley’s Picks

Slipknot – Slipknot

I’m not that damn old, but it seems like 1999 was a whole other universe. I illegally downloaded this album for my AP History teacher using the first version of Napster. On his school computer. During class. 12 years later, I can still put this on in the car and growl and thrash through the entire thing.

Shift – Morse Code

A short-lived San Diego rock band fronted by a dear friend, I went to Shift’s shows, pimped out their album to my friends, and made custom t-shirts to honor their awesomeness. I was basically a groupie without the blowjobs.

Counting Crows – Recovering The Satellites

I’ve had a lifelong love for Adam Duritz in all his crazy, turnip-headed sadness, and there’s a special place in my heart for this this album, even more than for August and Everything After. (prepare to get mopey with Monica below.)

Nick’s Picks

Bane – It All Comes Down to This

Taking Back Sunday – Tell All Your Friends

Britney Spears – In The Zone (check out nickwan’s jam below.)

27th Nov2010

Weekly Digs #9 (11/27/10)

by Adam Finley

Lessons learned from Thanksgiving: 1) Whole Foods will make you an excellent 8-pound turkey for roughly the same cost as trying to buy one from the store and not fuck it up at home. I don’t know why I haven’t done this every year. 2) The obligatory after-dinner pass-out is completely unavoidable if you had your first beer at 10am that morning. And 3) The Netflix Instant Queue is the single greatest thing ever. There is a very good chance that I will be too busy watching 30 Rock reruns in perpetuity to ever write again. So let’s enjoy it while it lasts, kids, here’s what we loved this week:

Nate’s Picks:

Thom Yorke – The Eraser

I’ll probably never get over this album, it always puts me in a whole different state of mind.

Jónsi – Go

Been stuck on this one for a couple of weeks now, everything I loved out of Sigur Rós and more.

American Football – S/T

Quintessential fall/early winter music, classic Kinsella family.

Adam’s Picks:

Admiral Radley – I Heart California

Jason Lytle is pretty great no matter what he calls the project. The same sardonic look at life in the valley, same playful lyricism, and same overall sound that you enjoyed from Grandaddy, I really dig this album.

The Black Keys – Brothers

In case you hadn’t noticed, it’s Album Of The Year time around 402 so I’ve had the contenders on constant rotation. Though this won’t get my vote for #1, it still ranks highly for me. I’d always been on the fence about the Black Keys, but this album (as well as last year’s hip-hop collab Blakroc) has put Black Keys soundly on my happy list.

Informant – Signal EP

Mixed-genre electro project from an unknown DJ in Western Australia, I’m digging this despite the fact that it’s outside my normal musical wheelhouse. This is a very good thing, and I’ll probably review it next week.

Nick’s Picks:

Taking Back Sunday – Tell All Your Friends

I was looking for an album to listen to in my car and the only thing available was this. I still know every word. I skip through a lot of songs because of the awkward high school memories they bring back.

Morrissey – Vauxhall and I

I am very happy to have heard a few of these songs while at Royal Peacock Tattoo in Sacramento the other day. I always screw up the names on “Now My Heart is Full”. That’s just me being ignorant though.

24th Jun2010

Taking Back Sunday @ Starland Ballroom – 6/22/2010

by carla

A classic Taking Back Sunday promo picture from the beginning of their career in 2002

The last time I saw Taking Back Sunday, with original members John Nolan and Shaun Cooper, was a show that sticks out clear as day in my memory. It was April 26th, 2003, the Saturday date of the Skate and Surf festival in Asbury Park, New Jersey. Taking Back Sunday was playing the main stage in Convention Hall and a ton of people packed in to see them play. But as the band took the stage, I turned to my friend and we immediately knew something was awry. Something did not feel right. Everything was off. Even though they sounded fine, something was just really wrong. After they played we turned to each other and said, “What was that?”  Little did we know at the time that was to be one of the last shows John and Shaun would play with the band–and one of the last times we would see Taking Back Sunday play.

Three TBS shows later, a “secret” show that August under the name Booze and Adventure at Birch Hill where they introduced the new members, a show with Saves the Day in September, and a benefit show almost a year later at Starland Ballroom, and it was also the end of me seeing– or listening– to Taking Back Sunday. It just wasn’t the same anymore. It didn’t mean anything to me in the way it once had, and I just couldn’t relate to the music anymore.

The thought and idea of if they would ever play together again, maybe as a one time thing, crossed my mind from time to time. There was even a show I was at that TBS played with Straylight Run in Rhode Island. I had wonder if maybe they would play a song together during the show, but I then later learned that they didn’t even talk to each other at the show–let alone were thinking playing a song or two together. Eventually the idea of them playing together again left my mind, to the point that I didn’t want it because I knew it wouldn’t be the same, I forged ahead with Straylight Run, who were making music that I could relate to, and left Taking Back Sunday as a band who meant everything to me in high school, but was nothing more than a nostalgic memory now.

Fast forward to 2010.

A photo in the same style as the previous one put on the band's website in March 2010 which led to the speculation that Nolan and Cooper had rejoined the band

When I first heard John and Shaun were going back to Taking Back Sunday, I wasn’t excited. I was upset that Straylight Run weren’t going to be playing shows anymore, and was just confused and shocked that they were going back to TBS after everything that happened and was said. Even as I got tickets for their New Jersey show at Starland Ballroom (a venue that didn’t even exist when they use to play New Jersey with the original line-up) I was still unsure of the whole thing. But as the show got closer and closer, and I started to listen to Tell All Your Friends songs, I started to get really excited to see those songs played live–songs I hadn’t listened to or seen live in 5-6 years! I started to remember all the great times I had seeing them and began to think that this could be something really, really fun.

On Tuesday afternoon, I spoke briefly with once old and now new Taking Back Sunday bassist, Shaun Cooper, who told me via text message that he was “soooo stoked” for the night’s show and how while waiting to sound check there was “tons of nervous energy” backstage.  As Taking Back Sunday took the stage Tuesday night, I didn’t see any nervousness–all I could see was a palpable energy of excitement and sense of renewal.

Opening the show was Philadelphia based band, Person L. Not only is Person L a great band who puts on a fun live show, but they are also one of the most fitting bands to open the show. Person L features frontman Kenny Vasoli, who is also known for his previous band, The Starting Line, who played countless shows with Taking Back Sunday in both bands’ early careers. One of my favorite shows was a Taking Back Sunday/Starting Line show in 2002 at Birch Hill during which Kenny jumped in on drums during Bike Scene and Adam broke into an Eminem Rap. So to have Kenny’s current band, Person L, open the show just seemed really fitting.

Taking Back Sunday’s set opened with the monologue from the movie Beautiful Girls,  ( “a beautiful girl can make you dizzy like you’ve been drinking jack and coke all morning…”) which is known for being the intro to “Great Romances of the 20th Century,” but kicked off the start of “Cute Without the ‘E’.”  The crowd erupted and started yelling the words along to the track while the band took stage. All the members of the band had huge smiles on their faces the whole night, and you could just feel how much fun they were having playing together again. At one point, towards the beginning of their set, drummer, Mark O’Connell, even called all the members together for a big group hug. The banter between Adam and John made me smile and laugh, bringing back all the memories I had of seeing this same love of playing together from the band so many years ago.

The band played new and old songs with help from back-up guitarist, Nathan. All songs were not only played with a ton of energy from the band members, but were also received with tons of energy from the crowd. Songs from every Taking Back Sunday album were played, but the excitement and crowd reaction of hearing songs from Tell All Your Friends definitely reigned supreme. Surprisingly, a “cover” song received a huge crowd response too– “Existentialism on Prom Night.” I was struck by how many people were genuinely super excited to be hearing a Straylight Run song; it had me wondering where all these super enthusiastic fans disappeared to at the end of Straylight’s career. Now, it was not a surprise to me, or probably to many people who have followed any of the band member’s Formspring or Twitter accounts, that they were to play at least one Straylight Run song, but I did find it surprising that John Nolan did not sing one of his previous band’s most popular songs. Instead John played the keys and sang back-up while Adam sang lead and played guitar.  Another nice throwback for any Straylight Run fans in attendance was the explosion of confetti during “Existentialism,” which looked just as awesome as it always had at past shows.

The band closed out their set with “MakeDamnSure,” but returned to keep surprising us before the night’s end.  They came back to play “Your Own Disaster” and “There’s No ‘I’ in Team”–and what a way to close out the set! The thought that they would play “Your Own Disaster” never once crossed my mind and was a huge surprise! Not only had the idea not even crossed my mind–but I can’t even remember the last time I heard that song! That one was definitely one for us who had been there when and had come back to celebrate. It probably received the least amount of crowd reaction, but for those of us singing along, it was definitely one of the best highlights of the night. And it wasn’t the only little kickback to the days when they played New Jersey with the original line-up. There were thanks and shoutouts given to the “Peacekeepers” (the name that security had at Birch Hill, Krome, and most New Jersey shows at the time [some of the old bouncers were even in attendance singing along!]). I even saw a few people who I use to see at every TBS show back in the day and talked and shared memories with others who were there when. It was nice to see so many older fans turn out and to share the excitement with those who, like me, hadn’t seen them in years, and to also share with the newer fans who never knew what they missed out on, and yet were still excited to witness something really special.

At the end of the night I walked away with two of my friends who had been there from the start with me. Even though none of us had seen them in years, and didn’t know any songs off Louder Now or New Again, and barley knew any songs from Where You Want to Be, we all had an amazing time and felt like we had been transported back in time to 2002-2003 to when we were young and Taking Back Sunday shows were something we looked forward to with great excitement. It brought back all the memories and good times of feeling like part of something special at a show, being able to jump around, sing your heart out with everyone around you, and walk away covered in the sweat of all those around you and dripping in joy.

It left me curious to see where the band will go with John and Shaun back in the mix. I can’t say for sure or know if I will like the music they will make together or if I will become a fan of the band once again, but they sure left me curious to see what they will do.  I do know one thing for sure–it has definitely put a spark back in the band and the band members. They seem not only thrilled to be together again as band mates, but, more importantly, as friends.

Current photo of the band with old members officially reunited

Set List
Cute Without the ‘E’
Set Phasers to Stun
Liar (It Takes One to Know One)
180 By Summer
Bike Scene
Error Operator
Existentialism on Prom Night
What’s it Feel Like to be a Ghost?
A Decade Under the Influence
Everything Must Go
First New Song (“Best Places to Be a Mom”)
You’re So Last Summer
You Know How I Do
Second New Song (The reworked “I’m Not Gay, I Just Wish I Were”)
Great Romances of the 20th Century
Timberwolves at New Jersey
MakeDamnSure

Encore:
Your Own Disaster
There’s No ‘I’ in Team

Opening Act: Person L